Wednesday, August 30, 2006

Five years later, Jobsite Theater remembers ...

From local actor/director Paul Potenza:

For me there is not a better place for recreation and relaxation than Key West. A world away from the pace of life that I am used to at work and at home. A getaway. Getaway from this. Getaway from that. Getaway from almost everything.

Almost everything.

I am one of those people who travel with my cell phone, even on vacation. With a business and with family responsibilities it is a necessary item and it makes keeping tabs on everyone much easier. On the morning of September 11, 2001, I did just that. It was a beautiful morning in the Keys. There was a picturesque blue sky; warm breeze and all seemed right with the world. I took my cell phone outside on the balcony to enjoy the view while checking my voicemail. There was a cryptic message from my sister Maria calling from Tucson, Arizona. She sounded upset and nervous. “Paul, it’s Maria. I have been trying to call Claudia to make sure Tommy is ok. I can’t get through. I didn’t call Mom yet. Call me as soon as you can. I know you’re in the Keys and I feel awful. Call me if you can get hold of them. Call me as soon as you get this message. I’m home.” I immediately got a sinking feeling in my stomach that something terrible had happened. Claudia is my sister who lives in New York and Tommy is her husband. My brother in law is also New York City firefighter and the Queens Trustee. They have been married for over 25 years and Tom is more like a brother to me than an in-law. He has always been there for me and provided me with support and advice. I told my wife, Roz, to turn on the television. The first thing she said to me was “Oh my god ... the Twin Towers are gone.”

We stayed glued to the television for the next several hours, just devastated and in shock at what we were seeing. Just outside our window, people strolled in the tropical paradise oblivious to the horrific scene that had unfolded 1,200 miles away. We made frantic phone calls. Phone circuits were overloaded and many people weren’t able to make contact with their loved ones in New York for hours. We were fortunate and got through. Are you okay? Where is Tom? Is he safe? Is he okay? Once again we were fortunate. Tom was not in the city when the planes hit the Towers. He was safe.

I was born and raised in New York City. I love that city. No matter where I live it will always be home to me. That day and the days that followed I felt so lost and so far away from home. I felt like someone or something in my life, in my world, needed me and I was helpless to get there. It was an enormous feeling of loss. These feelings consumed me.

They consumed a nation.

In October 2001, I was guided through the site that is now known as Ground Zero by my brother-in-law, Tom. That day changed my life. The sights and smells of what were once the Twin Towers were emotionally overwhelming. It was also powerful and a true testament to the human spirit. Witnessing the search and rescue for the remains of lost loved ones by the country’s finest and bravest was awe inspiring.

As I walked around the site, word came that someone had been found. A temporary morgue had been set up in an old financial building and Tommy needed to speak to a chaplain. He asked me to wait outside. While I stood there looking at the devastation and watching the desperate searching for victims, I started to feel very uncomfortable and out of sorts. What was I doing here? I wasn’t helping. I was just ... staring.

Then, just as Tommy was headed back from inside the makeshift morgue, someone shouted “ATTENTION!” Instantly, men stood upright as a small off-road vehicle the size of a golf cart pulled up. On the back of the vehicle was a firefighter with an American flag draped over his body. I stood next to Tommy as I watched the dignity and respect that was given to this fallen hero. The reality of this place smacked me in the face. After this man’s brothers lifted him up and carried him in, Tommy turned to me and asked, “You ready to go?” I was.

In retrospect, I know I was fortunate for this experience, because it does make you so thankful and appreciative for what we have. Nonetheless, all the sorrow I felt does not compare to the sad injustice suffered by so many and their families. I pray for them.

Theater has always been a great source of pride and joy in my life. In January of 2002, I went back to New York City and saw the play THE GUYS by Anne Nelson at the Flea Theater.

THE GUYS takes place less than two weeks after September 11th. New Yorkers are still in shock. One of them, an editor named Joan, receives an unexpected phone call on behalf of Nick, a fire captain who has lost most of his men in the attack. He’s looking for a writer to help him with the eulogies he must present at their memorial services. Nick and Joan spend a long afternoon together, as Nick recalls the fallen men, recounting their virtues and their foibles, and Joan fashions the stories into memorials of words. In the process, Nick and Joan discover the possibilities of friendship in each other and their shared love for the unconquerable spirit of the city. As they make their way through the emotional landscape of grief, they draw upon their love of the city they call home, on humor, on the tango, and the enduring bonds of common humanity.

Immediately after the performance I thought about how I might become involved in a production of this play in Tampa. I wanted to do this for more than just artistic reasons. Many more. Ultimately, it is with the direct assistance of Anne Nelson that this hope has become a reality. Jobsite stage the southeastern US premiere of THE GUYS in 2003.

The Jobsite Theater will now present an encore performance of the THE GUYS at the Tampa Bay Performing Arts Center’s Jaeb Theater on Sept. 11th at 8 p.m. All tickets are $30.

All proceeds after expenses on this production will be donated to the Tampa Firefighters Museum. Please join us for this very special night.

Thanks,
Paul Potenza

Monday, August 28, 2006

Because you need another reason to idle at work ...

TIME.com's 50 Coolest Websites.

- David J.
It’s Monday morning, my best friend is in the New York Times and I have an idea.

Oh, I’m sort of new by the way – Kari G., audience development manager, local actor and a refugee from Los Angeles. Nice to meet you. You look lovely. That tie/blouse/pajama top really brings out your eyes.

I have spent my whole life in the theater and film industries, at 31 I have already vested into my pension with the Screen Actors Guild. But before I figure out how I’m going to spend my $84.37 monthly allotment, I have a little bit more art in me.

Back in the glory days of theater school, when we were young, fair, fit and had livers of steel, my best friend John Pinckard and I knew we would be rich, famous, and take pleasure in being deliciously cruel to the miserable lovers in our lives who failed to see our greatness and dumped us (usually in exotic locals like a filthy pool hall in Gainesville, FL).

Almost ten years later, I open the Sunday arts section of the New York Times, only to find out that there are some former paramours of John who might want to get comfortable with the phrase, “Pucker up, buttercup.”

His idea? Why not take the best shows of the NYC Fringe Festival (now celebrating 10 years of showcasing bizarre, twisted, controversial and hilarious original productions) and give them an opportunity to extend the life of their show? Brilliant!

Fringe is only a festival after all, and often the most interesting and popular shows sell out before the population at large can enjoy them. Good buzz on a Fringe production can mean that the allotted six or so performances each production is given sells out almost immediately.

My brilliant best friend John lays out his vision for FringeNYCEncorse in the Arts section of the New York Times!

Ten of the audiences’ and critics’ favorites from the current festival will run in repertory at two downtown theaters through Sept. 24 in what the organizers, Britt Lafield and John Pinckard, say will become an annual showcase called FringeNYC Encores. For the Fringe, this provides another opportunity for its shows to be noticed by producers and earn a possible commercial transfer.

What a great idea for Tampa! Why can’t every local theater company get together at the end of the year and remount our favorite (or most successful) production(s) in rep for a couple of weeks? Patrons can purchase a single pass, good for all shows and then, let the encores begin!

Sure, it would be a logistical nightmare. Sure, there are a million reasons why we shouldn’t. Sure, we have limited resources. But on a Monday morning, over a really bad cup of coffee, I’m just going to sit and dream. An encore presentation of the best of local theater…

Sigh.

I should probably answer some of my voice mail.

- Kari G.
It’s Monday morning, my best friend is in the New York Times and I have an idea.

Oh, I’m sort of new by the way – Kari G., audience development manager, local actor and a refugee from Los Angeles. Nice to meet you. You look lovely. That tie/blouse/pajama top really brings out your eyes.

I have spent my whole life in the theater and film industries, at 31 I have already vested into my pension with the Screen Actors Guild. But before I figure out how I’m going to spend my $84.37 monthly allotment, I have a little bit more art in me.

Back in the glory days of theater school, when we were young, fair, fit and had livers of steel, my best friend John Pinckard and I knew we would be rich, famous, and take pleasure in being deliciously cruel to the miserable lovers in our lives who failed to see our greatness and dumped us (usually in exotic locals like a filthy pool hall in Gainesville, FL).

Almost ten years later, I open the Sunday arts section of the New York Times, only to find out that there are some former paramours of John who might want to get comfortable with the phrase, “Pucker up, buttercup.”

His idea? Why not take the best shows of the NYC Fringe Festival (now celebrating 10 years of showcasing bizarre, twisted, controversial and hilarious original productions) and give them an opportunity to extend the life of their show? Brilliant!

Fringe is only a festival after all, and often the most interesting and popular shows sell out before the population at large can enjoy them. Good buzz on a Fringe production can mean that the allotted six or so performances each production is given sells out almost immediately.

My brilliant best friend John lays out his vision for FringeNYCEncorse in the Arts section of the New York Times!

Ten of the audiences’ and critics’ favorites from the current festival will run in repertory at two downtown theaters through Sept. 24 in what the organizers, Britt Lafield and John Pinckard, say will become an annual showcase called FringeNYC Encores. For the Fringe, this provides another opportunity for its shows to be noticed by producers and earn a possible commercial transfer.

What a great idea for Tampa! Why can’t every local theater company get together at the end of the year and remount our favorite (or most successful) production(s) in rep for a couple of weeks? Patrons can purchase a single pass, good for all shows and then, let the encores begin!

Sure, it would be a logistical nightmare. Sure, there are a million reasons why we shouldn’t. Sure, we have limited resources. But on a Monday morning, over a really bad cup of coffee, I’m just going to sit and dream. An encore presentation of the best of local theater…

Sigh.

I should probably answer some of my voice mail.

- Kari G.

Friday, August 25, 2006

USF alum makes it to The Daily Show

Aasif Mandvi, the new Middle Eastern Bureau Chief for The Daily Show with Jon Stewart has a Tampa connection - the theater department at USF. He won an Obie for his play Sakina's Restaurant, and was in both Eric Bogosian's subUrbia and Trevor Nunn's revival of Oklahoma. A lot of folks might recall him as Peter Parker's pizza shop boss in Spider-Man 2. He's been seen on TV in everything from Law and Order to The Sopranos to Sex in the City to Oz.

Check out a clip of on TDS here.

Tuesday, August 22, 2006

TBPAC: When you're wrong ...

We all make friendly wagers around here sometimes in the marketing department as to how a show will perform. Most of the time we're pretty on the mark (feels good to know we know our business), but there are those times when we get nailed hard - for better or for worse.

Most recently, we booked a little show called So You Think You Can Dance. It's based on a TV show I've never even heard of, and I saw a ticket price of around $50. A few of us balked, saying no way was that going to fly. Then we heard rumors there may even be two performances if sales warranted it.

"You have to be kidding," I thought. We've seen other TV shows with decent appeal not do well, or pull out before they even made it near Tampa (See: Nashville Star).

Well, two sold out shows later and I am just wrong, wrong, wrong. It doesn't happen often, but I suppose I'm completely out of touch on this one. I guess that's what I get for not watching much network TV. If it would have been 24: The Musical, I would've known ...

- David J.

Saturday, August 19, 2006

Demetri Martin on "Mice Pace"

Check out video of him at the Just For Laughs Festival here.

Demetri Martin plays TBPAC on Oct. 22.

- David J.

Wednesday, August 16, 2006

TBPAC: 2006 - 2007 tickets on sale now!

Most of the shows in TBPAC's 2006 - 2007 season just went on sale at noon today, including some pop acts and comedians like Nick Lachey, Jim Gaffigan, Demetri Martin and Gipsy Kings.

There's also a full slate of operas, plays, dance events, concerts and a whole lot more. Several of the touring Broadway shows have their onsale dates, and did not go on sale with the rest of the season.

Wanna start shopping? Visit our online brochure here, then you can order online or call 813.229.STAR before the tickets to all these great shows run out! That's not just the marketing guy in me talking - it happens more often than you think!

- David J.

Monday, August 14, 2006

Be our friend!

We've had a TBPAC MySpace page for a while, and for the majority of that time we've been trying to figure out what to actually do with it. I think we've finally decided to let it just be, and do it's own thing out there in cyberspace.

That doesn't mean though that we don't want friends.

We can do a lot better than 31, so if you have a MySpace profile would you consider taking a moment to go over and add us? You'd be extra swell if you did ...

- David J.

TBPAC: Ontario, Take 2

As a person whose main focus at work is e-mail and web marketing, I tend to speak to people quite a bit electronically and on the phone, but meet very few of these folks in person. One of the most rewarding aspects of attending a conference for work is I get the opportinity to finally put faces with voices (or e-mail signatures).

While in Toronto I finally got to meet a colleague from The Living Arts Centre of Mississauga, Ontario,
http://www.livingartscentre.ca/
someone I have communicated with for a couple of years via e-mail and telephone, but had never met. I was curious to see how alike (or dislike) TBPAC and The Living Arts Centre are, so she drove me out to her Centre, a 225,000 square foot multi-use facility that hosts performing arts events as well as an arts educational program.

One of the main differences is The Living Arts Centre’s education program seems to place an emphasis on studio arts as well as performing arts. I visited the Centre in the evening and unfortunately my colleague was unable to give me a full tour, but while there I did witness one of their resident artists working in the glass workshop (and it looked like very hot, sweaty work) and I also saw other students working in clay in the ceramics studio.

The juxtaposition of performance space and studio arts struck me, especially after experiencing the art of the Chinese lanterns. It reinforced for me that art is many things, but mostly it is a living, breathing extension of the artist himself (or herself). That so many artists share this part of themselves and put it out there for everyone to see, to criticize or to laud. And it reminded me how lucky we are in Tampa Bay, lucky enough to have splendid and differing venues in our own back yard.

- Leeann D.

Ontario's Chinese Lantern Festival

Last week I was lucky enough to travel to Toronto Ontario to attend a ticketing software conference for TBPAC. During the day it was all work, but on one of the evenings I attended the Chinese Lantern Festival at Ontario Place (Ontario Place is like a cross between Lowry Park Zoo and Adventure Island, without the animals). According to local travel magazines, the Chinese Lantern Festival of Ontario is the largest Chinese lantern festival of its kind outside of Asia.

In a word, this festival was … amazing.

It took a co-worker and I about 2.5 hours to experience the entire park and it may seem as if that is a long time to walk around and look at a bunch of fabric and wire with lights, but we could’ve spent a couple more hours experiencing the entire festival. As it is we missed out on much of the live entertainment and the Cinesphere 360 movie about China.

The lanterns mostly depicted figures from Chinese mythology and the theme of the dragon and the phoenix was highly represented, but there was also a lantern of the Great Wall (I estimate it was 20 feet high and maybe 70 feet long – I’m not talking about night lights here) and a 200-foot dragon that was mostly made of dishes. Yes, dishes. There was also a set of peacocks that was made out of 1” x 1” jars filled with colored liquid.

My co-worker remarked at the patience it must have taken the craftsmen to put these lanterns together and I answered that it must be no different than any other artist toiling for their art. I have witnessed other co-workers who put in a full week in administration here at TBPAC just to spend their nights rehearsing and fine-tuning their performances for a full run of a show here in the Shimberg. It is art.

And these lanterns were truly … ART.









- LeeAnn D.

Friday, August 11, 2006

Let your voice be heard

Weekly Planet currently has their polls open for their annual Best of the Bay Awards. Among the categories are Best Live Music Venue (we have several, you know, including the Jaeb Theater, Ferguson Hall and Carol Morsani Hall) and Best Theater Company (Jobsite Theater is TBPAC's resident theater company). You can also vote for your favorite local art gallery as well as all your local favorite places to eat, party and play.

Take a few minutes and get in on the voting!

- David J.
(Disclosure: Ok, so since I work in the building and am the artistic director of Jobsite it's no secret I'd want you to vote for us. Not trying to be sneaky there.)

Monday, August 07, 2006

Stage to screen

Playwright Martin McDonagh says he's giving up writing plays to write and direct movies.

The distinctive voice behind "The Beauty Queen of Leenane" and "The Lieutenant of Inishmore," McDonagh's next film project is "In Brugues," which he told Variety is about two hit men spending Christmas in Belgium.

If that sounds much like his plays, you're right.

Still at the Lyceum Theatre in NYC, "The Lieutenant" features an IRA terrorist who wants to split from the group because they're not violent enough. When he comes home to comfort a sick cat, mayhem -- as they say -- ensues. One character says amid the carnage and confusion, "This story just gets worse and worse and worse," which has become my personal mantra.

Variety says his two trilogies of "corpse-strewn black comedies of the grotesque, written in the space of just 18 months, ... owed much to Scorsese, Tarantino, TV soaps and punk rock."

Sounds just right for Hollywood, but the theater will miss him.

TBPAC also plays host the the southeastern United States premiere of McDonagh's dark tale The Pillowman in October, produced by resident theater company Jobsite Theater.

- Michael K.
As David mentioned in last Monday’s entry, I’m happily back from a “brief sabbatical” (as I like to reference it) from the TBPAC. During those three months I lived and worked in St. Pete. For those who don’t know the area very well, Tampa Bay separates the cities of Tampa and St. Petersburg (editor's note - even though those out of area are probably more accustomed to hearing the area referred to as "Tampa Bay" which we locals all agree is just water). You’re probably wondering why I’m talking about bodies of water in a culture blog. Because in my short three months I met one too many people who refused to venture into Tampa for fear of crossing THE BRIDGE (AKA, the Howard Frankland - yes, that's the correct name). Before I left on “sabbatical” us marketers use to talk about The Bridge Theory, but to experience it first hand ... WOW, it’s truly a reality. I never would have thought there was that many people out there who let a little bridge deter them from experiencing all the culture Tampa has to offer.

So a quick message to all my friends and neighbors in St. Pete … do yourself a favor and brave the bridge! I promise, it’s much shorter than you think, the view is gorgeous (especially at sunrise and sunset) and the cultural rewards at the other end will be worth it!

And my friends in Tampa who don’t like the bridge, the Southbound lanes work well too!

**steps off soap box**

I killed AOL

I didn't mean to. I only dropped my long-time subscription to the service because I had moved up to DSL.

And I had been planning to do it for some time, but never got around to it. Inertia is a powerful force.

Then I read a story about one guy's experience in trying to drop his AOL service. He was on the phone for something like 30 minutes. He was so miffed he put the whole exchange online. It was a PR nightmare.

When I read that, I figured I had found the perfect day to cancel my service. Can't you just imagine the customer service meetings, the memos, the e-mails that were flying around the offices when that story hit?

- Michael K.
There is a brand new opening number for Dirty Rotten Scoundrels that David Yazbek has written for the tour! The world premiere of this new number is happening this weekend, and the creative team is thrilled with the change. It's obviously very exciting for a touring production to have a brand new musical number, tour market audiences will get something that New York theatergoers haven't even seen!

- Summer B.

Thursday, August 03, 2006

Wednesday, August 02, 2006

'If you love this, you'll like that'

The upside of being a music-loving baby boomer is that you had a chance to see Jimi Hendrix, The Doors and some of the original Motown groups. The downside is that every day you're getting closer to meeting Jimi Hendrix and Jim Morrison. -- Newsweek, July 17, 2006 (paraphrased for space and clarity)

OK, so maybe live music isn't so much your thing any more. But music's still important right?

We've talked in this space before about the difficulty in finding new music, beyond a dozen new songs on commercial radio and WMNF's eclectic assistance.

That's where the web comes in.

Following the same models as Amazon and Netflix, a score of new websites offer recommendations based on your previous buying patterns or your music profile.

Here's a smattering, as listed in the Newsweek article:

pandora.com -- You tell then your favorite artists and then they program a radio station for you, using "the DNA of the music" as analyzed by 400 distinct variables such as tempo, voice pitch and range, etc.

Last.fm -- Also offers personalized radio stations, but uses a computer application to log and analyze the songs you like -- based on what you play in your computer library and iPod. By using "the wisdom of crowds," they think they can suggest songs for you from the playlists of people who like some of the same artists.

mog.com -- A music networking site, mog.com posts the titles -- only the titles -- of all the music in your library (you can manually edit out that Village People CD) and helps you find people like you.

iTunes.com -- Apple's service relatively recently started a Beta site, which instantly recommends songs as you play them on your computer. Some of the choices are obvious. Bob Dylan=The Band. Others are a little more quirky.

A great source of new music is Paste Magazine, which just increased frequency to about 10 times a year. With the magazine, you get a free sampler CD of artists, plus a few DVD of music videos, movie trailers, etc. I first heard of Band of Horses via Paste, as well as Carrie Newcomer, the Wailin' Jennies and Josh Ritter.

And all of this brings to mind a story in The New York Times about the "graying" of bricks-and-motor music stores. Young people buy everything, including music, online, and now even boomers may head there for their music, too.

I do, though, miss the days when I heard exciting new songs much more frequently on the radio, and went to a corner shop that had a guy whose musical taste I trusted. Some of those stores, like Vinyl Fever, are still around but their numbers are declining.

Happy listening.

- Michael K.

Getting 'Drowsy'

"The Drowsy Chaperone," winner of five Tony Awards, is still at the Variety Theatre in NYC.

But British producer Cameron Mackintosh wants a London production, say the nice folks at Variety magazine.

Too soon to tell whether he'll get his wish. And folks in the States are wondering when we'll get the first national tour of this surprise hit from Canada.

- Michael K.

Tuesday, August 01, 2006

Get in line for 'Line'

OK, it's confession time.

I've never seen "A Chorus Line."

For a Broadway fan, that's inexcusable. For someone who works in the biz, I could get fired.

I'll get a chance to make up for that lapse this fall when "A Chorus Line" returns to the Schoenfeld Theater on Oct. 5. At one time the longest-running American musical in Broadway history*, it closed in 1990. The backstage plot featured a look at dancers auditioning for a new musical.

The revival will still be set in the mid ''70s, according to a story in Variety. "It's got to stay true to the morality of 1975 and the perspective of the year," original co-choreographer and now director Bob Avian told the magazine.

- Michael K.

Monday, July 31, 2006

TBPAC: bits and bites

Nick Lachey will be on The Late Late Show With Craig Ferguson on August 15. His tickets for Tampa go on sale the next day. Scoop 'em up while you can!

Angela Lakin, who may remember me eulogizing when she left TBPAC for another opportunity, started back to work with us this morning. YAY! We're all really glad to have her back.

Kid Time and Wee Folk season tickets are on sale now. Those are our two most recent season ticket packages to go on sale. Also on sale now are season tickets to the Suntrust Broadway Tampa Bay Series, the Opera Tampa Homes by Helen Opera Series and the Jobsite Theater Play Series. Look out soon for our Cultural Passport sampler package!

What do we have to do to get some more comments around here? Let us know! (Heh, I realize the comedy there - we don't get too many comments so I'm asking for comments on how to get more comments.)

Hope you're all off to great start to the week.

-David J.

Wednesday, July 26, 2006

Light in the Piazza tour opening!

The new touring production of The Light in the Piazza launches its national tour in San Francisco in just one week. Press opening for this beautiful production will be on Friday, August 4 at 8:00 p.m. at the Orpheum Theatre.

The cast is said to be "sensational" and features Christine Andreas, Elena Shaddow and David Burnham.

If you don't have your frequent flyer miles saved up for a free trip you can always see the production in one of the upcoming cities through July, 2007. The Light in the Piazza plays Tampa Oct. 3-8. Currently it looks like a 50-week tour for the 2006-2007 season with a hope to continue into the following season.

Go here to see photos and video of the show.

Visit this link for a complete list of tour dates.

- David J.

Free season tickets?!

Jobsite Theater, TBPAC's resident theater company, is giving away free season tickets to their upcoming 06-07 season. Check out the contest they have on their blog. Who says nothing's ever free!

- David J.

(Disclosure: I'm also Jobsite's Artistic Director.)

Tuesday, July 25, 2006

Feeding my inner DJ

Back in the dark ages (the late 1970s) when semi-creative types didn't have their own organizations and chamber-endorsed networking events, a merry band of misfits threw the Artists and Writers Ball -- an orgy of dancing, drinking and music that was conceived as a kind of anti-Gasparilla.* The early Daughters of Bizarro theme was all-inclusive and indicative of things to come: Hot Night in Havana, Welcome to the Depression, Cowboys in Space (or did I imagine that last one?).

One of the first party meetings was in that bastion of the counterculture -- The Tampa Tribune -- where 10 people including Bud Lee, Paul Wilborn, David Audet and Ben Brown -- agreed to put up the seed money for venue and sound equipment deposits: $50 in return for 10 tickets worth $5 each. Ten tickets for an event that could never happen.

Only somehow it worked. Conceived as a non-profit event, we were sold out days before and our biggest problem was in what to do with all the money. Since our party was in Ybor City, we did what came naturally: We provided free Cuban sandwiches to most of the attendees.

The live bands were great, but we needed some transitional music so I volunteered. Using my trusty cassette deck (how primitive), I mixed Tommy Tutone, The Beatles and Willie Nile along with dozens of other artists. One of my fondest memories of that night was feeling the floor vibrate as hundreds of folks danced to "Twist and Shout." Jeez, no wonder people want to be DJs. (That, and meeting women. See "Fidelity, High.") What a feeling of power and satisfaction. I ended up providing the recorded music for the first three or four balls.

Flash to 2006 and everybody can be a DJ. iTunes (unpaid product placement) has a feature that allows users to publish set lists on the Apple Music Store. It's very clever in many ways. It's user-generated content, which is very hot right now and builds traffic. And only songs that you can buy on iTunes are eligible for inclusion in your set -- although you didn't have to buy your copy of the song from Apple. So if people see your set and like what they hear, they can click-through to buy the songs from the Apple service. There's also a ratings application.

Since we've been thinking here about Club Jaeb, our 268-seat club at TBPAC, for my first mix I ended up grouping artists who are former Jaeb acts, upcoming Jaeb performers and some who basically are "you wish!" All are wonderful songwriters who make music that matters, no matter what the genre.

Because I did it on a rainy Sunday morning, the mood reflects that a bit. It's pretty quiet. And somehow e e cummings wrote the summary of the playlist.

So if you're an iTunes person, check it out and let me know what you think. You can find it here.
- Michael K.

* Disclaimer: That whole Artists and Writers Ball thing was a very long time ago, but this is how I remember it happening. Considering the nature of the beast, I can imagine a whole lot of people having completely different recollections. As they say, if you can remember those nights you probably weren't there.

Monday, July 24, 2006

It's not over until ...

Time magazine says she lost the equivalent of Mariah Carey, but no matter how you measure it opera superstar Deborah Voigt is in fighting shape to play Ariadne in Strauss' "Ariadne auf Naxos" in London.

In 2004, she was fired because the director couldn't see her in the "little black dress" he planned as her stage costume.

One gastric-bypass surgery later, Voigt has lost 135 pounds and has a new Glamour Shotz photo to prove it. And the Royal Opera House has rehired her for the 07-08 season.
Now, maybe people can again start talking about the soprano's voice, which The New York Times has called "blazingly powerful, deeply expressive and, as always, musically scrupulous."

- Michael K.

Friday, July 21, 2006

Clerks II

It appears I'm all set to go to the 7:40 showing tonight. Snoogans.

I note my boss wasn't very kind to Jersey Girl in his post this morning (not like many others were), but I feel a need to defend it. Not just because it's a Kevin Smith film and I genuinely do count myself a very big fan (ok, probably an outright fanboy), but because I respect what he was going for in the film - which really is quite sweet - and also because there are some genuinely fine performances.

Rachel Castro, George Carlin (who might actually have his best acting work to show from this film) and Stephen Root are all completely on the money. JLo is barely in the movie and Ben Affleck, well, he's Ben Affleck. Like Smith said on his college tour DVD, he think's Affleck is the best actor in the world and if they were remaking JAWS he'd cast him - "Affleck could be the shark!"

Oh, and did anyone else check out Kevin Smith's scathing appraisal of Joel Siegel? Story has it that Siegel walked out of the screening of Clerks II, which marked the first time he'd ever done that in his 30-year career. Smith's issue was not Siegel walking out of the film, but the way he chose to go about doing it - yelling, creating a scene, etc. The next day Smith was on the Opie and Anthony show and so they decided to call Siegel up. I probably shouldn't make a direct link from this post, in fear it might get me in trouble with the ol' bosses due to the adult language, but I will say the url is exactly like "Silent Bob Speaks" but if you just typed it out as a one big word. Enjoy that.

Kevin Smith, just four years my senior, represents a real renaissance not only in film-making, but in storytelling and modern American pop culture. Jobsite's very-much beloved play The March of the Kitefliers, set to make a return in the spring of '07, is undoubtably influenced by Smith's style. We even sent an invitiation to Smith for the original production, which we know he probably never got but was worth sending anyway. This year we intend on trying to get to him even sooner. Hey, we always thought it would make a great film ... so long as I don't get replaced with Affleck.

- David J.

More Twinkies ...

Slasher (writer/director/actor) Kevin Smith is back with "Clerks 2," 10 years after his original slacker film.

Since then, he flopped with "Jersey Girl," starring Ben Affeck and Jennifer Lopez, otherwise known as "The Curse of Bennifer," or "Don't Ever Make Movies Using Stars Who Annoy the Heck Out of Us."

In a brief Time interview, Smith said how he'd changed since then. "I'm getting more bald. From the front, you can't pick it up. But when I turn around it's like I'm wearing a skin yarmulke."

He also offered his opinions of his fans.

"They tend to look like me -- boys and girls. We're all very sedentary and we like Twinkies."

- Michael K.

Thursday, July 20, 2006

Endings and new beginnings

Two Broadway hits recently closed after good long runs.

"Doubt," the story of a nun and the priest she accuses (perhaps correctly, perhaps not), finished strong on July 2 with about $28 million on total sales over 25 previews and 525 performances.

"The Light in the Piazza," with its lush, romantic score and slightly tangled love story, closed the same day with closer to $29 million in total sales over 36 previews and 504 performances.

Both were slightly surprising hits when they opened in the spring of 2005, and now both will take to the road in national tours.

- Michael K

TV Watch

I can't say I've made that many standing appointments for TV shows since I moved out of my parent's house.

We had a weird little Red Dwarf/Doctor Who thing going on in college - but we were in college and that's what you do when your day is basically over at 3pm.

I completely missed Twin Peaks the first time around. I tried watching it once and didn't get it. I'm easily frustrated, and much prefer to watch things from the beginning so I know what the heck is going on. It's the reason I didn't watch the X-files until almost the last season, it took me going all the way back and getting season 1 on DVD then catching myself up.

I just got DVR 2 weeks ago, and I'm already wondering how I lived without it before, and am beginning to worry about how much more TV I'll now watch as a result. No tapes to mess with, no dual setting of a cable box and VCR. Just pull up the menu and select record. Handy ...

I've got my DVR tuned to record all episodes of two shows, and all new episodes of a third. I really enjoyed the first season of Deadwood (a show with language so coarse Lenny Bruce would blanche), but probably missed half of the second season. I was really dismayed Monday to learn that the third season started up about five weeks ago. I probably wouldn't know what was up, so now I need to go back to season two and watch forward to catch myself up.

Lucky Louie is another really good HBO product. Like Deadwood, it would never work on network TV for the subject matter and language alone. It's like Friends, but with people who actually look like me and my friends. The show is written, produced and starring Louis CK (who also has a really funny half-hour special out right now) and features some other great talent from week to week.

And my final fix right now is Entourage, like Deadwood also in it's third season. I could watch Jeremy Piven's character of Ari all night. Heck, Ari deserves his own spin-off. Hug It Out, or something like that. I was listening to the local sports radio station the other day, and someone referred to it as "the rebirth of Man TV." That's pretty appropriate.

I'm not sure what it says, but consistently now for the past five or so years, the bulk of what I've been interested in watching on TV has come from HBO. I wonder if it'll last?

- David J.

Share the shame

A Los Angeles stage show that combines stand-up comedy and audience participation has spawned in other cities, as well as leading to an upcoming book, bar and home versions and -- no doubt -- a reality TV show in the near future.

Called "Mortified," the show features audiences members (pre-selected at auditions) who relate their most embarrassing moments on stage.

Since we already know that people will do almost anything to be famous for two minutes, let alone 15, the possibilities are endless.

As related in Newsweek, groups are playing at "Cringe Night" at Freddy's Bar in Brooklyn and "The Salon of Shame" at Rendezvous in Seattle.

Got an embarrassing moment you want to share with us? Send it in.

- Michael K.

Wednesday, July 19, 2006

'Avenue' is Quite the thing

"Avenue Q," late of Las Vegas and soon for the U.S. road market, has opened in London in a theater owned by Cameron Mackintosh.

You have to wonder whether the tales of these characters on the edge of society will translate (yes, I know it's still English, but still) to the Brits.

The show, which is sort of Muppet theater for adults and one of the funniest -- and smartest -- shows I've seen in a long time, won the Tony for Best Musical. But instead of touring the country, they opted to play in Vegas for a very long engagement, which turned out not to be not as long as they thought or hoped. Not surprising, really, 'cause it's still Vegas.

It's still a red-hot ticket in New York. London will be another test of its enduring popularity.

Regardless, "Q" will roll American audiences when it begins a long-awaited national tour.

In the meanwhile, you can go to avenueq.com and send Qcards to show people that you Qare.

Disclaimer: The use of the word Muppet above does not in any way constitute approval or endorsement by the company founded by Jim Henson. They're not connected. Really separate. Not even close.

- Michael K.

Dirty rotten scoundrel?

We heard last year that there was a Broadway musical in the works based on the Spielberg film, "Catch Me If You Can."

Now, Variety has announced that Nathan Lane will star in the show's workshop performances as federal agent Carl Hanratty, whose thankless task was to chase down Leonardo DiCaprio's character, Frank Abaganale.

Abaganale wrote the book the movie was based on, "Catch Me If You Can: The Amazing True Story of the Youngest and Most Daring Con Man in the History of Fun and Profit."
Music and lyrics are by Scott Wittman and Marc Shaiman, who won a Tony for Best Score (and Best Musical) for "Hairspray."

At a 2005 theater conference in Miami, Shaiman and Wittman provided a sneak peak of one of the songs, which might or might not be called "50 Checks."

Shaiman sang the lyrics from a piece of hotel stationery. In his big finish, he threw the paper to the floor.

If this show hits it big, look for those prototype lyrics on eBay. I reclaimed the stationery and had Marc and Scott sign it for -- as Abaganle might say -- posterity and profit.

- Michael K.

New "creative class" website: Oddpodz

I had an interesting link forwarded on to me yesterday for oddpodz.com. Their introductory email states:

Tampa businesswomen Karen Post and Jocelyn Ring are following in the footsteps of social network sites such as myspace.com and facebook.com by launching Oddpodz.com, an online community dedicated to the Creative Class.

Oddpodz.com released its beta test last week with hopes of capturing the roughly 150 million global Creative Class market.


Their website's About Us page goes on to say:

The concept was birthed during a work/play excursion to New York City in December of 2005 while splitting an incredible piece of flourless, dark chocolate cake and drinking a fine cabernet at Nolita House. Nolita House is a campy joint that feels like a schoolhouse — you can write on the walls, misbehave and drink good vino, nosh on sweet stuff and cook up big ideas. Marc, the owner, is now a best pal.

After the second glass of wine came our epiphany: how cool would it be to have a community for people like us—smart, fun, brave, always curious and a bit odd—where you could express yourself, get inspired, find uncommonly cool things, resources and content, and meet other oddpodz?

So that’s how the story goes. Two chicks who love life, laughing, ethnic food, fashion, sports, dogs, business and creating cool things.


The appear to have a marketplace and a blog up and running as well as areas for profiles/interviews and a "vent" area for people to complain, muse, share their work or do whatever they have to do to get whatever's on their chest off.

Give it a look. If they can keep up with it, it might be habit forming.

- David J.

Tuesday, July 18, 2006

Craig's quick music plugs

Tilly And The Wall's new album "Bottoms of Barrells" is amazing. :)

Cursive is releasing a new album on August 7th. We have the new single on 7 inch - it's pretty awesome too. (Editor's note: Wow, people still really do listen to vinyl ...)

- Craig R.

Behavior modification

I've talked about theater etiquitte on this blog before. I've even put together shorts for our CenterTV show on the subject (that would be me with the bag of Funyuns) and I'm now working on a few different pre-recorded curtain speeches for the various halls here. So with my sensitivity to the subject, I was delighted this morning to see a local critic get into the act with a bit of commentary on bad behavior:

"The only things that marred this excellent production were a few examples of unfortunate audience behavior.

Folks, if you get up during the show, be advised that those of us still in the theater can hear your loud lobby conversations - and we would rather listen to the people on the stage.

Also, if a cell phone should happen to go off during the performance, try to express your horror silently. This also applies to discussions about the play, which would be best reserved for intermission or afterward.

When a production is this good, the least we can do is hold up our end of the bargain."

In the live curtain speeches I do here, all those points above are usually covered ahead of time. I'm never looking to be insulting to anyone straight away (that's not saying the fangs won't come out on the second or third offense), and I think using humor is often the best route when trying to remind folks about how they should behave in a theater - for their own enjoyment, for the enjoyment of everyone else there and out of respect for the artists on stage.

It's not just Tampa, I've seen comments about audience members in New York and in Chicago, but we do seem to need a bit more encouragement than some other places I've been.

My most recent brush with bad behavior came when I went to see Dave Chappelle just a few weeks ago. At the beginning of Dave's set, a guy behind me with a cellphone starts yelling "HEY! HEY! YEAH, I'M AT DAVE CHAPPELLE ... NO, HE JUST STARTED ... WHAT ARE YOU DOING? COOL. NO, THIS IS AWESOME ..." Good thing that only went on for about 3 minutes before the girl sitting next to him burned a hole in his forehead with her stare and he hung up.

Feel free to gently remind those you're traveling with or sitting near in the theater if they're ruining it for everyone. Let's make this a group effort, ok?

Got a horrible theater behavior story? I sure would love to hear it ...

- David J.

Wednesday, July 12, 2006

Nick Lachey - what's left of him?

Pop singer (and one-time star of the hit reality show Newlyweds) Nick Lachey has just announced a solo tour that's playing across the country this fall in smaller, more intimate venues. Most of the songs deal directly with his breakup with Jessica Simpson.

The What's Left of Me Tour hits the Tampa Bay Performing Arts Center on October 17. Tickets go on sale to TBPAC members this Friday (July 14) at noon. The public onsale is Wed., Aug. 16 at noon.

- David J.

Friday, July 07, 2006

Cure for a rainy afternoon

Earlier this week, on the 4th of July, the missus and I - not quite beach or big public fireworks sorta folks - decided to head out for a movie. We decided on Nacho Libre, as we'd been hearing good things for a while, and I'd pretty much watch Jack Black re-enact the bombing of Dresden.

Sparing you a play-by-play or another plot synopsis, I'll leave it briefly that the movie was a ton of fun, surprisingly appropriate for most ages and it even had a warm-fuzzy message buried in it. It was a great surprise, particularly after watching what I thought was a very overrated movie in Napoleon Dynamite.

It's a pretty dreary day out there, and we are in Tampa after all - it might be like this all weekend. If you're looking for something to do it's a great way to spend an hour and a half in the air-conditioning. Try the Muvico at Centro Ybor, it's never busy. Ours was a private showing of Nacho Libre - there wasn't another soul in the theater.

Have a good weekend, everybody.

- David J.

Wednesday, July 05, 2006

India.Arie's "Testimony" Debuts at No. 1!

We were all excited to hear today (after most of us returned to work from a very long holiday weekend) that India.Arie's new album debuted at number one on the Billboard charts. That's a first for this incredibly talented neo-soul songstress! Pretty exciting stuff ... Also, in sharing the great news to local "industry insiders" I've been told that bar-none this is her best effort yet, and that it hasn't left one individual's CD deck since he purchased it.

Tickets for her Aug. 10 show go on sale Friday at noon (they're already on sale to TBPAC members). This will be Ms. Arie's second visit to TBPAC. We're glad to have her back!

I also just noticed she's running a contest from her website. Grand prize is a swank autographed acoustic guitar and the new CD. Check it out. Her opening act, Lorenzo Owens, was a finalist on Oprah's Popstar Music Challenge.

- David J.

Tuesday, July 04, 2006

John Philip who?

The July 4 holiday brings out countless patriotic songs, including “the official march of the United States” by John Philip Sousa, Stars and Stripes Forever.

But songwriters are unable to resist the temptation of using Independence Day as a symbol, whether it’s a reason to leave a bad marriage or for making a troubled relationship work.

Sometimes July 4 actually figures into the story, sometimes not.

As you start firing up the grill, consider these independence-based songs … even if they’re not suitable for fireworks.

4th of July – X. Punk bands need holidays, too.

Independence Day – Ferron. So do singer-songwriters. (I still can’t get enough of Ferron’s’ Almost Kissed and Misty Mountain, so I wanted to mention them.)

4th of July – U2. And so do Irish superstar bands, although this song’s instrumental.

Almost Independence Day – Van Morrison. Speaking of Ireland, Van gets into the mood during San Francisco Bay fireworks on this moody track from Saint Dominic’s Preview.

Fourth of July – Dave Alvin. A member of X, Alvin put out a great relationship song on King of California. Or you can catch the Robert Earl Keen version. Also, check out Alvin’s Surfer Girl from the same CD. You’ll never think of that song in the same way again.

Independence Day – Martina McBride. The birth of a country inspired this country anthem. Sometimes a cigar is just a cigar. But sometimes Independence Day is a declaration of personal liberty.

4th of July, Asbury Park (Sandy) – Bruce Springsteen. This one still gets me all these years later. The details of the dusty arcades and the summer heat and the factory girls, and his plea of “Oh, love me tonight and I promise I'll love you forever” even if the “forever” is a bit strangled on some versions, as if he can barely even say the word.

Be safe out there.

– Michael K.

Monday, June 26, 2006

India.Arie in the news and on tour

Neo-soulstress India.Arie, along with special guest Lorenzo Owens, has confirmed to play Morsani Hall at TBPAC on Thu., Aug. 10. Tickets go on sale to TBPAC members on Fri., June 30 and to the general public on Fri., July 7 at noon.

We just got tipped off she's doing a media tour in support of her new album, Testimony, Vol. 1, - Life and Relationship (which hits the streets 6/27):
June 26 - Jay Leno, NBC
June 27 - BET Awards, BET
June 29 - Live with Regis & Kelly, ABC

Check your local listings for times and where these stations fall on your box.

- David J.

Thursday, June 22, 2006

Act Locally

It's a hot-button issue these days - Tampa vs St. Pete. Weekly Planet recently held a Political Party discussion about these "Downtowns on the Verge." Within a few minutes of that discussion starting up, someone made a joke that the state bird of Florida is a crane. Har. Get it? A crane? It's true though, if you head down to either Downtown they both are bustling with construction projects. I'm sick to death about hearing of the "condo boom."

I have to hear it all the time from all of my friends - artists, musicians, writers and scenesters: Downtown St. Pete kicks Tampa's keister. "No contest," they'd have me believe. To me, Downtown St. Pete is also a 20-25 minute drive away on a good day. Have you seen the traffic going over those bridges? You know we're in an oil crisis, right? Every day people talk about an accident on one of them and actually act surprised that they were delayed getting from A to B. I have better things to do with my time and cash.

I live in Tampa Heights. I work in Downtown Tampa. I drive for 3 minutes to or from work, and I never have to get on the interstate anymore. I have a quadrant that I drive that surrounds my home to points in Seminole Heights, West Tampa, Ybor, Downtown and possibly here and there it take me south of Kennedy (oh, the bougie horror!). Now that I've been in my current location for two years now, I've done quite a bit of exploring and I find that I have no real need or desire to leave my zone.

I know it might be a bit Pollyanna to have that "build it and they will come" attitude, but I think it's also true. It's not quite Manhattan yet, but money attracts money, right? Downtown Tampa isn't going to boom overnight, but with some love shown it's way it could really grow. Here are some suggestions for life in Downtown Tampa to make both an immediate impact in your quality of life that will also hopefully lead to long-term improvements down here.
  • Take in a show at the Tampa Bay Performing Arts Center. Ok, so this is a TBPAC blog and I should probably be ashamed of myself here, right? I don't. I'm actually getting this one out of the way first. With five venues, dining options, a great location on the river and truly world-class programming - you can find something to do here pretty much every day of the week. Check out a concert by The Florida Orchestra, an intimate evening with singer-songwriters in the Club Jaeb Series, catch a cabaret review, take in a play by Jobsite Theater, see the best in Broadway spectacle straight from New York in the areas finest hall, witness a lavish grand opera, see one of today's best and brightest pop stars or comedians - you name it, we got it.
  • See a movie at the Tampa Theatre. Straight from their website: Built in 1926 as one of America's most elaborate "movie palaces", the Tampa Theatre today is a fiercely protected and generously supported landmark. Designed by famed theatre architect John Eberson, the Tampa is a superior example of the "atmospheric" style of theatre design. Inside the Tampa, audiences are transported to a lavish, romantic Mediterranean courtyard replete with old world statuary, flowers, and gargoyles. Over it all is a nighttime sky replete with twinkling stars and floating clouds.
  • You've not really experienced Downtown Tampa until you've had a drink from The Hub. Stiff drinks, great jukebox - 'nuff said. This place has been a Downtown Tampa institution for close to 50 years. Hang out Friday night until the Hot Dog Guy gets there. He makes a mean Italian sausage.
  • This is another point of contention with a lot of folks in town these days with all the planning and money and bickering, but it's still something viable to do. Go visit the Tampa Museum of Art. The anime exhibit I saw there a few years ago was one of the most fun installations I've seen.
  • Not sure if this is technically Downtown or not, but it's at least on the border - catch an art show at Flight 19 in the old baggage claim building at the railroad station.
  • Looking for dinner? Try grabbing a bite at Thai Corner, The Spain or Jerk Hut (which is also open late on the weekends).
  • Looking for breakfast/brunch on the weeekend? Try First Watch or grab bagels from CC's on Franklin St.
  • Be adventurous! See something new? Go try it! I find more often than not I'm pleasantly surprised with my urban exploration efforts.
Got any cool things I've missed to do in Downtown after work or on the weekends? Let me know!

- David J.

Wednesday, June 14, 2006

Tony Awards aftershocks: Ticket sales and higher ratings

Broadway's annual love fest Sunday night gathered higher ratings than last year and also boosted the sales of tickets to the featured shows, according to today's New York Times.

"The Drowsy Chaperone," which won five awards, sold four times as many single tickets as on a normal Monday -- $700,000.

"The Color Purple," strongly plugged by producer Oprah Winfrey, appeared to double its average Monday sales -- up to $600,000.

And "Jersey Boys," the big winner as "Best Musical," also was doubling its average Monday sales -- again up to $600,000. Perhaps more impressively, the show sold a million dollars in tickets the weekend before the show as ticket buyers currently predicted its success and didn't want to be left out.

The telecast itself also increased viewership by around 20 percent, from 6.6 million last year to 7.8 million this year.

The two biggest increases were in Atlanta, where "The Color Purple" started (83 percent over last year) and Tampa! (80 percent).

The Times seemed a bit bemused by the Tampa bump. They understood Chicago and Atlanta, "but Tampa?"

Perhaps it's not so surprising.

The Tampa Bay Performing Arts Center, one of the 10 largest in the country, has the highest grosses of any single-week touring Broadway market.

Our knowledgeable audiences know that this year's Tony winners will be playing our Carol Morsani Hall in Tampa as soon as there's a national tour. For example, our coming Broadway season includes "Spamalot," "The 25th Annual Putnam County Spelling Bee" and "Light in the Piazza," as well as "Doubt" and "Dirty Rotten Scoundrels."

Additionally, as a member of the League of American Theatres and Producers, we made a concentrated effort this year to help promote and market the Tony telecast via e-mail blasts, our web site and this very Culture Shock blog.

- Michael K.

Two for the road

Two of the hottest shows on Broadway didn't make it in Vegas, leading The New York Times to spin that city's marketing slogan into that "What happens in Vegas does not always stay in Vegas."

"Hairspray," which won the 2003 Tony for Best Musical, is closing about four months after opening at the Luxor Las Vegas Hotel on Feb. 15.

And "Avenue Q," 2004's Best Musical, went straight to Vegas but closed on May 28, running less than a year.

From this vantage point, the flaw lies with Vegas audiences rather than with these two great shows.

The Times points out that "Hairspray" has grossed more than $180 million, with a movie scheduled for next year and a new road tour starting up.

"Avenue Q" is preparing its first national road tour and presenters are excited about booking the clever, funny and entertaining musical that made hand puppets stars.

The multiple Cirque shows in all their kinetic energy still are knocking Vegas audiences out. And "Mamma Mia!" is a hit. A mini-"Phantom of the Opera" opens on June 24. And Monty Python's "Spamalot" opens next year. Of course, those last three are still touring the country and the Vegas dates aren't exclusives.

- Michael K.

Tuesday, June 13, 2006

'Harry Potter' sightings

The Harry Potter "flying car," stolen last year, has been recovered. It's a 1962 Ford Anglia and doesn't have an engine. The Dark Lord is suspected in the theft.

Meanwhile, there were three other Potter sightings. If you had a Marauder's Map, you might have seen the footprints of three familiar Potter characters on Broadway.

British character actor Richard Griffiths, the larger-than-life etcher who just took home a Tony Sunday night for Broadway's "The History Boys," is Dudley's dad -- Harry's spiteful Uncle Vernon.

And Frances de la Tour, a Griffith ally who also won a 2006 Tony Award for "History Boys," plays Hagrid's love interest -- Mme. Maxine, mistress of Beauxbatons.

Then there's Ralph Fiennes, who appeared in the most recent film as He-Who-Must-Not-Be-Named, who was nominated for the same Tony Award that Griffiths won (what a shocking headling that would have been - Dursley beats Voldemort) for Fiennes' portrayal of the titular "Faith Healer."

(For even weirder casting, the drunken, misty-eyed manager in "Faith Healer" is Ian McDiarmid -- Senator, Chancellor and Emperor Palpatine as well as Sith Lord Darth Sidious from the "Star Wars" movies. No light sabers in sight.)

By the way, I just visited the official J. K. Rowling site for the first time. Pretty cool, for wizards and muggles alike. And if you're even more of a fan than I, check out http://www.hpana.com/dailyprophet/, which will give you all the Harry Potter news from everywhere, and deals in survey questions like which visiting school made the best entrance to the great hall in "Goblet of Fire," Beauxbatons or Durmstrang.

- Michael K.

(Durmstrang, of course.)

Monday, June 12, 2006

Tony toasts Broadway

Say what you will about the 60th annual Tony Awards TV program, the producers know how to keep a show running on time. Last night's program ended in exactly two hours, a good lesson to the bloated Oscar awards program that bleeds past most folks' bedtimes.

You can tell, though, that the stage actors aren't used to stand-up microphones. Most of the presenters and recipients hunched over the mic like osteoporosis sufferers.

The presenter pairings were inspired, and non-theater celebs were woven into the mix without the show looking desperate for star power, which is always a gamble. (How many theater stars, who aren't also in movies, present at the Oscars?)

The full-blown musical numbers certainly sold those shows to a wider audience, even to people who weren't familiar with them. "Jersey Boys" and "The Drowsy Chaperone," the latter a send-up of 1920s musicals, in particular probably sold a lot of tickets today.

Julia Roberts, who sold-out her run in "Three Days of Rain," but mostly was panned, reluctantly, by the critics, addressed the whole industry: "You people are insanely talented."

Joe Pesci, who grew up in Jersey and is represented in the musical as a whiny kid on the periphery of the band (as opposed to a whiny actor), appeared with the three living Four Seasons to introduce that's show's musical showcase.

Take a look at the list of winners below. It was a good night to be a boy, whether "History" or "Jersey."

- Michael K.



THE WINNERS

Best Play:
The History Boys by Alan Bennett

Best Musical:
Jersey Boys

Best Book of a Musical:
The Drowsy Chaperone - Book by: Bob Martin and Don McKellar

Best Original Score (Music and/or Lyrics):
The Drowsy Chaperone - Lisa Lambert and Greg Morrison (music & lyrics)

Best Revival of a Play:
Awake and Sing!

Best Revival of a Musical:
The Pajama Game

Best Performance by a Leading Actor in a Play:
Richard Griffiths, The History Boys

Best Performance by a Leading Actress in a Play:
Cynthia Nixon, Rabbit Hole

Best Performance by a Leading Actor in a Musical:
John Lloyd Young, Jersey Boys

Best Performance by a Leading Actress in a Musical:
LaChanze, The Color Purple

Best Performance by a Featured Actor in a Play:
Ian McDiarmid, Faith Healer

Best Performance by a Featured Actress in a Play:
Frances de la Tour, The History Boys

Best Performance by a Featured Actor in a Musical:
Christian Hoff, Jersey Boys

Best Performance by a Featured Actress in a Musical:
Beth Leavel, The Drowsy Chaperone

Best Scenic Design of a Play:
Bob Crowley, The History Boys

Best Scenic Design of a Musical:
David Gallo, The Drowsy Chaperone

Best Costume Design of a Play:
Catherine Zuber, Awake and Sing!

Best Costume Design of a Musical:
Gregg Barnes, The Drowsy Chaperone

Best Lighting Design of a Play:
Mark Henderson, The History Boys

Best Lighting Design of a Musical:
Howell Binkley, Jersey Boys

Best Direction of a Play:
Nicholas Hytner, The History Boys

Best Direction of a Musical:
John Doyle, Sweeney Todd

Best Choreography:
Kathleen Marshall, The Pajama Game

Best Orchestrations:
Sarah Travis, Sweeney Todd

Friday, June 09, 2006

2006 Tony Award updates

From the newsletter of the Tony Awards.

Broadway's biggest night of the year is fast approaching!
Make sure you visit TonyAwards.com before, during, and after the American Theatre Wing's 60th Annual Tony Awards for great interactive features surrounding this year's Tonys, which will be telecast on CBS on Sunday evening, beginning at 8:00 p.m./7c.

Red Carpet Glamour - On Cable and Via the Internet
TonyAwards.com is joining forces with NY 1 News to bring you live coverage of the celebrities' arrivals on the Red Carpet at Radio City Music Hall. On Sunday evening beginning at 6:30 p.m. ET, tune in to NY1 News or log on to TonyAwards.com and you'll get to meet presenters, nominees, and special guest stars.

The First Ten Awards - A TonyAwards.com Exclusive!
Then, stay on line for TonyAwards.com's exclusive live video webcast of the presentation of the first ten Tony Awards, live from the stage at Radio City Music Hall. Unless you're at Radio City, the only way to see this portion of the ceremony is to watch our webcast. Two Tony-winners from 2005, Norbert Leo Butz and Victoria Clark, will host the initial 45-minute segment of the 2006 Tony Awards ceremony, which will be webcast at TonyAwards.com, beginning at approximately 7:15 p.m. ET.

The Main Event
The main event begins at 8:00 p.m./7c with the Tony Awards telecast on CBS. You'll see musical numbers from The Color Purple, The Drowsy Chaperone, Jersey Boys, The Pajama Game, Sweeney Todd, The Threepenny Opera, and The Wedding Singer. Dozens of presenters and performers paying tribute to Broadway this year include Oprah Winfrey, Julia Roberts, Mark Ruffalo, Oliver Platt, Alan Cumming and many others.

West Coast Schedule
For Broadway fans on the West Coast, please note that the awards will be aired on time delay at 8 p.m. PT on CBS. TonyAwards.com's live coverage of the Red Carpet arrivals begins at 3:30 p.m. PT with the exclusive pre-telecast webcast of the first ten awards following at 4:15 p.m. PT. We will be posting the winners on TonyAwards.com as soon as they are announced. So you have a choice: You can either find out who wins what by logging onto TonyAwards.com before the telecast, or close your browser and remain in suspense until the Tony telecast airs at 8:00 p.m. PT.

- compiled by David J.

The play's the thing

Sometimes Broadway is so big on spectacle, the story gets a little lost.

But with this year's bumper crop of plays, there has been no shortage of provocative words, themes and a little spit flying across the boards.

You can check out some of this great work on Sunday night during the broadcast of this year's Tony Awards.

"The History Boys" led the plays with seven nominations and goes up against "Rabbit Hole," "Shining City" and "The Lieutenant of Inishmore."

And while it's not a Best Play candidate because it's a revival, Ralph Fiennes, Cherry Jones and Ian McDiarmid all take star turns in Brian Friel's "Faith Healer."

For those of us on the road, unfortunately, great plays don't often tour.

An exception is last year's Tony and Pulitzer winner, "Doubt," which -- by the way -- is closing on Broadway on July 2 after 25 previews and 525 regular performances.

One of the most thought-provoking plays I've seen since, oh, since maybe "Angels in America, it had my party talking for 45 minutes afterward. You'll have to decide for yourself whether the priest or the nun are correct, but the exercise is stimulating and invigorating.

And if we're lucky, maybe some of this year's crop will hit the road as well.

- Michael K.

Thursday, June 08, 2006

There's still time to join in Jobsite's Food Drive!

Jobsite Theater, resident theater company of TBPAC's Shimberg Playhouse, is holding a food drive in conjunction with their current show - Dario Fo's We Won't Pay! We Won't Pay! which plays tonight through June 18 (Disclosure: I am also Jobsite's Artistic Director).

Jobsite has partnered with the local charity Metropolitan Ministries to not only raise food, but also awareness for the prominent local not-for-profit that provides vital services to over ten thousand Bay area residents every year.

A food collection barrel is set up in front of the theater for the hour preceding every performance of We Won't Pay! We Won't Pay! It is not necessary to have a ticket to the performance to donate to the food drive, so feel free to just stop by if you're interested in making a donation.

- David J.

Monday, June 05, 2006

Top 10 Dead songs ...

Courtesy of the TBPAC mailroom:

1. Casey Jones
2. Franklin's Tower
3. Sugaree
4. Turn On Your Lovelight
5. Friend of the Devil
6. St. Stephen
7. Sugar Magnolia
8. Truckin'
9. U.S. Blues
10. The Eleven

They also passed along to me that Phil Lesh still plays most of these songs live, and that Phish fans (or is that Phish phans?) may be interested to know that Trey Anastasio and Mike Gordon might be part of the "and Friends" billing of the upcoming Phil Lesh and Friends date here at TBPAC. They've certainly played with them in the past.

Agree/disagree with any of these choices, or do you wish to leave your own mark? Comment away!

- David J.

Friday, June 02, 2006

Latest Tony Award News

From the newsletter for the Tony Awards. Visit their site to join the email list. Three more newsletters will roll out before the award ceremony

Tony Night
We will be providing video coverage of the stars arrivals on the Red Carpet, as well as an exclusive webcast of the portion of the Awards Ceremony that takes place before the television cameras begin to roll. The fun begins at 6:30 p.m. ET on Sunday, June 11, and continues with the CBS telecast at 8p.m./7c.


Tony Tickets Still Available

A limited number of tickets are still available for the Tony Awards ceremony at Radio City Music Hall on Sunday, June 11th at 8:00 p.m. Click here for info about tickets.


Meet the Nominees On Video!

We invite you to view on-demand clips of video interviews with many of the 2006 Tony nominees, including Best Actors/Actresses Michael Cerveris, Harry Connick Jr., Zeljko Ivanek, Judy Kaye, Lisa Kron, LaChanze, Stephen Lynch, Bob Martin, Cynthia Nixon, Kelli OHara, Oliver Platt, Chita Rivera, and David Wilmot, as well as nominees in other categories.

Make Your Predictions
If you haven't done so already, visit the site to tell us who you think will win on June 11.

Nominee Blogs
Check out the blogs of Tony nominees Manoel Felciano (Best Featured Actor in a Musical, Sweeney Todd) and John Lloyd Young (Best Actor in a Musical, Jersey Boys) to read what they have to say about their nominations and the excitement of Tony time.

Video Highlights from Nominated Shows
Beginning later this week, you can get a taste of nominated shows on video at TonyAwards.com.


- compiled by David J.

Tuesday, May 30, 2006

Open Thread: Good Reads

What's in your bag, on your desk or next to your bed? Do you have any recommendations in favor of or against anything you've come across? Hop on in the discussion!

I am a little ashamed to admit that I don't really have anything now that I'm working on. I got a copy of an unauthorized guide to LOST (what an addicting TV show), which I plan on reading once my show opens. Other than that I've really just been up to my eyeballs in play scripts.

And last call folks, I do the drawing for the free book and CD set tomorrow! Get in the hunt!

- David J.

Friday, May 26, 2006

O! What a Beautiful Luncheon!

At a recent lunch, Tampa Bay Performing Arts Center President Judith Lisi sat munching on her usual Caesar salad and sipping an iced tea, politely conversing with the other folks at her table.

Okay, so the table was in New York City’s fabled Rainbow Room and the lunch was being held to promote the multiple Tony Award-nominated musical The Color Purple. Oh yeah ... her conversation was with Oprah – that Oprah.

Lisi, a guest of the producers, sat next to Winfrey and Oprah’s friend Gayle King at the head table.

A member of the board of the League of American Theatres and Producers, Lisi was in New York for the annual spring conference and was thrilled with the opportunity to chat up Winfrey, one of the lead producers on the Broadway smash. “I have had occasion to meet a lot of famous, important people. But I’ve got to say, I was really thrilled to meet Oprah. When I talked to her, I felt like I really knew her.”

Lisi was particularly moved by Winfrey’s address to the assembled crowd of show biz people. "Oprah spoke of her longtime connection with the Alice Walker book, her deep commitment to the production and the ‘moment of surrender’ that she believes ultimately brought her the role of Sofia in the film version and propelled her career forward."

Hey, Judy! Do you remember what you had for dessert?

- Paul B.

Thursday, May 25, 2006

Reminders: win stuff and tell us what you're spinning!

Enter here to win a book and CD set from The Second City!

Go here to join an open thread on what music is catching your fancy these days.

- David J.

Wednesday, May 24, 2006

'Jersey Boys' making state hip again

"Jersey Boys," the Broadway musical based on the life and music of Frankie Valli and the Four Seasons, provided the greatest surprise of a recent whirlwind gauntlet of seven shows in five days.

There were two standing ovations in the first act alone, after "Sherry" and "Dawn (Go Away)." That's how good the musicians and singers were.

Now you can see what all the fuss is about when the cast makes the talk-shows rounds in advance of the Tony Award presentations. (The show grabbed eight nominations, including Best Musical and Best Performance by a Leading Actor in a Musical -- John Lloyd Young -- as well as Best Performance by a Featured Actor in a Musical.)

Those appearances are:
  • Thursday, May 25 -- LIVE with Regis and Kelly
  • Wednesday, May 31 -- NBC Today Show -- Katie Couric Farewell
  • Saturday, June 3 -- NBC Weekend Today Show
  • Friday, June 9 -- CBS Early Show
  • Sunday, June 11 -- Tony Awards

Check your listings for local times and stations.

Meanwhile, "Jersey Boys" and "The Drowsy Chaperone" will be fighting it out for the hearts and minds of Tony voters.

Easily dismissed pre-opening as another in a line of so-called jukebox musicals, "Jersey Boys" features little-known, wrinkles-and-all plot material about the band that started in the 60s and with a sound that continues to this day through the solo career of Frankie Valli.

Despite the band's best-selling career, not many stories were written about The Four Seasons, compared to their contemporaries. They were just "boring guys from Jersey."

As it turns out, they had run-ins with the law and with each other, and the most lasting partnership of the band has worked on a handshake for 30 years.

Playing to sellout audiences in New York, the musical has a good story and it has a heart. That heart just also happens to be racing along to more than 30 Four Seasons songs done so well that the cast easily performs them live in front of the surviving original band members.

Original member Bob Gaudio, keyboardist and principal writer, has been intimately involved with this production and is making plenty of PR appearances.

He's frequently told by adoring boomer audiences, "I grew up listening to this music."

His frequent answer: "So did I."

He spends a lot of time on his boat in Tennessee these days, although he's said, "Where this show goes, I go."

We hope it won't be long before it's time for him to take a little cruise in Florida waters.

- Michael K.

Tuesday, May 23, 2006

Open Thread: What are you listening to?

Got any new finds, old finds or even new-old or old-new finds? What's clogging up your iPod, stuck in your CD player or #1 in your audioscrobbler profile? Enjoy an open thread today on music.

I've been rather open to suggestion lately and have been really enjoying Gnarls Barkley's St. Elsewhere, Danger Mouse's Grey Album (Jay-Z's Black Album mixed with The Beatles White Album), Dungeon Family and on a non-hip-hop tip Arcade Fire. None of that is groundbreakingly obscure or anything, but all were things I'd heard enough about from friends and from Rolling Stone or other blogs to make me go check them out.

Speak your mind! What's grabbed your attention, or what haven't you been able to shake? Also, don't forget to sound off on Second City for a chance to win a very cool book and CD!

Monday, May 22, 2006

Win a book/CD set set from The Second City!

Last year TBPAC brought the legendary improv group The Second City and their 45th Anniversary Tour for two performances in our Ferguson Hall. The performances were a big hit complete with full houses for what was essentially a "Best of" evening of sketch comedy.

Little did I know at the time that The Second City has a whole theatrical division which tours many shows - new and old - across the country. So it wasn't much of a surprise when I saw we were going to bring them back this season with their musical Sex & The Second City, which is here June 2-3.

There was once upon a time when I fancied that I might go on to the Windy City in the footsteps of idols of mine like Belushi, Aykroyd, Myers and Murray with the hopes that it too might lead to a spot on Saturday Night Live. For those not in the know, The Second City has been the primary feeder company to SNL since the original Not Ready For Prime Time Players hit the air in 1975. Even today's stars like Tim Meadows, Horatio Sanz, Tina Fey and Rachel Dratch got their start there. There's also Comedy Central's Stephen Colbert, who's made quite a name for himself recently with his show The Colbert Report (not to mention his recent White House press banquet appearance).

To really date myself - those of you over the age of 30 may also remember a show called SCTV featuring the likes of Martin Short, Joe Flaherty and John Candy among many others - well, it was after all Second City TV.

It's pretty impossible to have a discussion about American sketch comedy over the past 50 years without it revolving around The Second City. Did I say 50 years? You may have noticed most of the folks I've been talking about started there as of the '70s, but you can go back to the late '50s and you would have found the likes of Kevin Kline, Alan Alda, Joan Rivers or Alan Arkin.

A neat local tie-in: resident company Jobsite Theater's own Kari Goetz-Keller is an alumni of The Second City's LA company (there are also companies in Las Vegas, Detroit, Denver and Toronto).

So, gentle readers, give me your best Second City memory or bit of trivia. Who is your favorite performer or character? What's your favorite sketch? Comment away. I have a nice new shiny book and double-CD set waiting on one lucky entrant, which I'll do a random drawing for at the end of this week.

My favorite? It's hands-down, bar-none with no room for any exceptions under any circumstances one Mr. John Adam Belushi. If you're looking for a good book on him, I highly recommend BELUSHI, a biography written in quotes from friends, family and colleagues and put together by his wife. My dad used to let me stay up late at nights as a very small child to watch SNL, and as an early teen I watched old repeats relentlessly. Sometimes I'd watch Animal House two times a day. By the time I was in high school the dean of students even called me Belushi from sophomore year on. To this day I keep a Samurai action figure at my desk at work, and a portrait of Wild Bill next to my computer at home. God, I love that Albanian.

Now it's your turn!

- David J.

Thursday, May 18, 2006

Update: NE 2nd Ave

I was just downstairs speaking with Teo Castellanos about his show, you know, the one I just posted about a few hours ago?

Interestingly enough, I was discussing my thoughts on who I thought would dig on the show and brought up how I'd mentioned both Leguizamo and Danny Hoch. He smiled a little and admitted he's actually good friends with Danny Hoch and has worked on film with John Leguizamo. Little did I know when I made that post ...

- David J.

Expanding horizons ...

The very first show I saw in the Off Center Theater (now the Shimberg Playhouse) was a hip-hop styled one-person show by Danny Hoch which was titled Jails, Hospitals and Hip Hop. I was there opening night, as was local actor/comedian/griot "ranney" - but we were about it. In all seriousness, there was probably only a dozen of us there to see the show, which was fantastic. Danny has gone on to make that show a movie in addition to a lot of TV and film (White Boys, Law and Order: Special Victims Unit, Black Hawk Down, Bamboozled) and it's always exciting to see him on the big or small screen after sharing such a great night of theater with him.

I've been a big fan of the one-person form for a long time. They're really, really great stuff. I've previously mentioned Leguizamo and Bogosian here before, but there are many others though who have made the form what it is today - David Sedaris, Whoopi Goldberg, Spalding Gray and a legion of comedians who've all created a one-man show in hope of landing an HBO special or network TV pilot.

One of the greatest advantages to seeing shows in the Shimberg is the intimacy of the venue. Unlike the almost palacial in comparison Carol Morsani Hall, the Shimberg is roughly 30 feet by 60 feet and only seats 75 to 130 people. You just can't replicate the immediacy of seeing a show in that size venue. One can quite literally almost reach out and touch the action (though that's typically really frowned upon). A lot of folks from places like New York often comment that the space reminds them of a lot of the theater spaces back home.

So I'm excited to get another opportunity to check out a show this weekend. (For me especially it's nice to go see a show that I'm genuinely interested in and that I don't have a hand in producing - it's nice being able to go to the theater to just relax and enjoy yourself) Teo Castellanos is in town to perform his one-man show N.E. 2nd Ave. Imagine the characters you could meet as a small Caribbean bus travels down the bumpy urban streets of Miami ...

As I was doing a bit of research on the show it all came full circle - I found this link for a hip hop festival in New York that Teo is performing at in New York with ... Danny Hoch. I was also told that this will be Teo's final "small" tour like this before you looks to move onward and upwards. I wonder how long until he pops up in a movie and I can say "I saw him when ..."

Here's a podcast I found interviewing Teo:

powered by ODEO

Enjoy!

- David J.

Wednesday, May 17, 2006

Nothing 'Drowsy' about this

Courting Tony voters and prospective bookers, the director and two cast members of "The Drowsy Chaperone" dropped in on the League of American Theatres and Producers conference in NYC last Thursday.

Something worked.

The show gathered 13 nominations yesterday, including Best Director, Best Actor in a Musical and Best Actress in a Musical, making the League guests three for three plus a Best Musical nomination for the show.

Director Casey Nicholaw was the choreographer for "Spamalot," but this is his first Broadway directing job. Sutton Foster previously won for "Thoroughly Modern Millie." And Bob Martin has won numerous "Canadian awards," but this is his first role on Broadway.

The show is a musical (within a comedy) about a man who listens to a 1920s record only to have it come to life around him. It's a literal representation of what happens when the stars of story, casting, direction, music and choreography align; we are totally absorbed into a performance.

The show began as an original production years ago during a stag party for Martin. Fortunately, his friends were all very talented.

Now, it's a huge hit on Broadway. (Don't you wish you had friends like that?)

Here's a bit of what they had to say:

Casey: What attracted me was its love of musical theater. It was just shaping it and turning it into a big, Broadway musical.

Sutton: I wanted to do something different after "Millie" and "Little Women." I was basically fried and burned out. I wanted to do something that was more of an ensemble piece. I auditioned and I never wanted a job more. What's so wonderful is that everyone has a moment to shine. I feel totally satisfied with my experience with the show.

Sutton: They asked me what kind of tricks can you do (referring to some of the acrobatic moves in the musical). I said, "I can touch my tongue to my nose." (And then she does.)

Casey: When stagehands start quoting the show, you know it's a good thing.

Bob (when asked about his impressions of NYC): You people honk your horns a lot.

Bob (when asked about reviews): The bad ones haunt me like a cancerous tumor. I remember one that called me "annoyingly charmless."

Sutton: (when asked about reviews): I don't read them. Bad reviews are terrible. And the good reviews are never good enough.

You can catch "The Drowsy Chaperone" at the Marquis Theatre in New York, and later on, on the road.

By the way, the show's marketing takes full effect of its nod-and-a-wink style.

One of its advertising lines: "In the real world, the only people who burst into song are the hopelessly deranged." So true.

See you at the theater.

- Michael K

Tuesday, May 16, 2006

2006 Tony Award nominations are in!

Take a look at the 2006 Tony Award nominees, hot off the press!

Don't forget - you can also sign up for Tony Award RSS feeds here.

- David J.

New blood perspective

(The following was given to me at the end of the day yesterday, May 15, from our new PR intern. - D.J.)

Today was not the first time I have been to the Tampa Bay Performing Arts Center. I have been here several times before as a theater patron. Today was different though, because today was my first day as an intern for The Center.

As a theater enthusiast there is always something elusive about the backstage area. So, getting a behind the scenes look was thrilling. Walking down the halls, I could only begin to imagine the artists that had taken that very path to the stage. As I made my way onto the giant stage at Morsani Hall, I felt like a star, even if it was just for a moment.

As a patron, I have always admired The Center, and taken a great interest in the work it does. Today I got a new perspective by touring the facility and talking to the many people who make it a success. My first day as an intern has only made me even more excited about this wonderful opportunity.

- Jenna B.