Tuesday, February 10, 2009

This weekend: The Love Project (discount inside!)

Rhodessa Jones and Idris Ackamoor triumphantly return to TBPAC with their new show - The Love Project. Part TV talk show, part musical and part hour party - The Love Project examines the role of love in a violent world.









The Love Project runs Feb. 13-15 in the TECO Theater at TBPAC.

As a valentine's day gift to the community we're also offering a special on tickets this weekend! Get a ticket for just $14 when you use promo code HEART for any show this weekend starting at 10am on Fri., Feb. 13 and ending at 4pm on Sun., Feb. 15. Keep in mind - the promo code doesn't work untill Friday morning!*

This performance is part of the Off Center Series (formerly expanding horizons), TBPAC's mission-oriented series to bring important new work to the area that no one else brings in across the entire southeast.

Hope you can make it!

TRIVIA: Rhodessa Jones is the sister of Bill T. Jone, Tony Award winning choreographer for Spring Awakening, who is also coming to TBPAC with his dance troupe on Feb. 18!

*This discount is not valid on prior sales or in conjunction with any other offer. Subject to availability.

Monday, February 02, 2009

Red Molly newsletter

Check out the current newsletter from our next Club Jaeb artists, Red Molly (appearing Feb. 16):

Hi Everybody:

2009 started out nicely for Red Molly, with lots of great shows in January. The highlight was our first appearance at The Birchmere in VA on Jan 18, opening for Eddie From Ohio (and our buddy, Jake Armerding). We played for about 500 crazy EFO fans, and then sat back to enjoy EFO's fabulous show. We were happy to have a Red Molly contingent in the house, including our friends Meg Braun, Jim Christie and Jodi Greico. Click here for a backstage photo:
http://efohio.com/index.php?page=imgallery

February brings more fun, including our first trip to FLORIDA, and another VA appearance (at Jammin' Java on Feb 27). See below for all February shows.

See you soon,
Laurie, Abbie and Carolann

--------------------------------------------------------------------------------
Official website: http://www.redmolly.com
Fan website: http://launch.groups.yahoo.com/group/redmolly
Myspace: http://www.myspace.com/redmollyband
Merchandise: http://www.redmolly.com/merchandise.html
--------------------------------------------------------------------------------

Friday, February 6th, 2009 7:00 PM
Fundraiser for WFDU
Wilson Auditorium
Dickinson Hall
Fairleigh Dickinson University

140 University Plaza Drive
Hackensack, NJ 07601
One 45-minute set
201.692.2806
www.wfdu.fm
Price: $25 (or $20 in advance)
Help support this great radio station! Four acts on the bill:
1) Wayne Fugate, Carol Beaugard and the Wayne All-Stars
2) Out to Lunch
3) Red
Molly
4) Silk
City

RESERVATIONS: Call the number listed and leave your name, phone number, and number of seats.

Saturday, February 7th, 2009 8:00 PM
Sounding Board
Universalist Church
433 Fern St.
West Hartford, CT 06107
Two 40-minute sets
203.272.8404
www.folknotes.org
Price: $17 (or $15 for members)
Our 4th annual concert at this wonderful coffeehouse. RESERVATIONS: Make them by calling the number listed, or write to: reservations@folknotes.org. Steve Kirkman opens the show.

Friday, February 13th, 2009 9:00 AM
WMNF - RADIO SHOW
Tampa, FL
One 60-minute radio broadcast
We are guests on the Live Music Showcase. Listen online at www.wmnf.org.

Friday, February 13th, 2009 7:30 PM
Fodor's Grove House Concert
2218 Vincent Rd.
Orlando, FL 32817
Two 45-minute sets
407.923.0712
www.reverbnation.com/venue/fodor
Price: $15
Potluck dinner at 6:00 pm. RESERVATIONS: Call the number listed, or write to Mark at: politimark@msn.com

Saturday, February 14th, 2009 9:00 PM
Down Home Cookin' Concert Series
Portofino's
23241 Bayshore Dr.
Port Charlotte, FL 33980
One 90-minute set
941.743.2800
Price: $10
Outdoors, on a deck, overlooking the ocean! Ticket price benefits the American Red Cross.

Sunday, February 15th, 2009 7:00 PM
Glades' Edge House Concert
Sunrise, FL 33323
Two 45-minute sets
954.742.9236
www.geocities.com/gladesedge
Price: $15
Potluck dinner at 6:00 pm. INFO and RESERVATIONS: Write to gladesedge@comcast.net.

Monday, February 16th, 2009 7:30 PM
Tampa Bay Performing Arts Center
Jaeb Theater
1010 NWC MacInnes Place
Tampa, FL 33602
Two 45-minute sets
800.955.1045 or 813.229.7827
www.tbpac.org
Price: $25.50
TICKETS: Available in advance online or by phone.

Thursday, February 19th, 2009 - Saturday, February 21st, 2009
Folk Alliance conference
Memphis, TN
This is a music conference.

Friday, February 27th, 2009 7:00 PM
Jammin' Java
227 Maple Ave. East
Vienna, VA 22180
Two 40-minute sets
703.255.1566 x8
www.jamminjava.com
Price: $15 (or $12 in advance)
Our first time at this great listening room. TICKETS: Available in advance online or by phone.

Saturday, February 28th, 2009 8:00 PM
Turtle Dove Folk Club
West Grove Friends Meetinghouse
153 E. Harmony Rd.
West Grove, PA 19390
Two 45-minute sets
484.732.8467
www.turtledove.org
Price: $17 (or $15 in advance)
TICKETS: Available in advance online.

Spamalot's March Midday Madness $20 ticket


Spamalot has a Thursday, 2 p.m., performance on March 5. In honor of March Madness, we're naming this performance March Midday Madness and offering up a $20 ticket (applicable service charges apply)... on ALL seats for that performance. That means you can get fantastic seats for a family of 4 for UNDER $100. So take a long lunch, skip class or find a baby sitter and take advantage of the deal!


Not applicable to prior sales. Subject to availability. Cannot be combined with any other offer.
Photo Credit: Joan Marcus

Friday, January 30, 2009

Renee Fleming on Spectacle: Elvis Costello with ...

I recently got a HD flat screen and find that my love affair with television is new and bright. My new favorite show? Spectacle: Elvis Costello with ... on the Sundance channel. (You can also get it On Demand with Bright House Networks). I caught the episode with The Police and it was amazing!

This weekend his featured guest is Renee Fleming! If she’s good enough to be on Barack Obama’s iPod, and good enough to sing at the Inauguration Concert (AND good enough to grace the Carol Morsani Hall stage a few years back) – then she’s obviously good enough to hang with Elvis Costello. You don’t want to miss his one-on-one with this amazing opera diva. Show times are Sun., Feb 01st at 2am and Sun., Feb 01 at Noon.

Also, are you following Opera Tampa on Twitter? Why not? It’s cool!

- Kari G.

WAISTWATCHERS: The Calorie-Free Musical opens next week!



Head over to TBPAC.ORG for more information on tickets!

NFL Players party at TBPAC

Reggie Bush, Warrick Dunn and Derrick Brooks joined about 600 guests at the NFL Players Super Bowl party at TBPAC last night. TBPAC was transformed, and our Executive Chef Rusty Evers rocked their world. More fun awaits. -- MichaelK

Thursday, January 29, 2009

Staged Reading: Yellowman - MON. 2/2!

We hope you can make an effort to make it out Monday night to the next Job-side Project in our Staged Reading Series being put together by Lori Shannon. This night's work is directed by Ensemble member Karla Hartley and features the talents of the amazing Fanni Green. Don't miss it!

Yellowman
by Dael Orlandersmith
Directed by Karla Hartley
Featuring Fanni Green
Mon., Feb. 2 at 7pm
$5 at the door, free to Jobsite season ticket holders

Yellowman, a Pulitzer Prize finalist, opened at the Manhattan Theater Club in October 2001. It is a two-actor piece in which each actor plays multiple roles. Orlandersmith examines intraracial racism and its effect on friends and eventual lovers Alma and Eugene, chronicling their relationship from childhood to adulthood in spare, uncommonly beautiful language with a South Carolinian/Gullah inflection. Their families and "friends," fueled by alcohol and incomprehensible rage, bend this relationship to the breaking point.

"A landmark in theater history.... Enthralling.... Mind-altering." ?The New York Times

"One of the most gripping, instructive, transforming hours in contemporary theater." The Times (Trenton, NJ) -- Review

Can you help us out by spreading the word? We'd appreciate it! Let's get these guys some love - it's the only reason they're doing it - that and have to have this great piece spoken out loud.

Tuesday, January 27, 2009

Remembering John Updike

"That we age and leave behind this litter of dead, unrecoverable selves is both unbearable and the commonest thing in the world -- it happens to everybody." -- John Updike

Updike is dead at 76. Who among our current literary heroes will have that kind of lengthy and varied career? Our best writers today seem more like flares than Updike's punctual comet of novels, essays, criticism.

At the Miami Book Fair International in 1990, Updike appeared to promote "Rabbit at Rest," the fourth and final installment of his novels about Harry "Rabbit" Angstrom.

I watched his literary groupies approach, and later described the scene in a newspaper article.

"Feigning casualness, they are erratically pulled to him as if he's exerting some unseen force. 
He's not moving, though. Just standing there. The gaggle of fans walks, stalls, pulls close. Unfailingly polite, he holds himself in, preparing for a public display he doesn't much enjoy. He stutters slightly.

"He stands still, a sort of parade rest without the ramrod straightness. That's it -- he's all angles: elbows and knees and nose, and hair combed forward on one side like a wing. Like some mussed clergyman. Or a willowy basketball player from the '50s when height mattered and width didn't."

In "Rabbit at Rest," Harry retires to Florida. Updike, who was famous for his research, spent a lot of time around Ft. Myers to get his locale straight.

That's why it was so jarring to see the familiar drug store chain repeatedly spelled as Ekerd. I mentioned that to an unfamiliar reporter waiting with me for an interview.

When we were ushered in, my new best friend promptly tells Updike that "this guy" (meaning me) says there's a mistake in his new book.

Updike looked over his glasses and down his nose from a ridiculous height. I meekly explained it is actually spelled Eckerd.

He took out a notepad. 

"That will be corrected (significant pause) in the paperback edition," he said with great seriousness.

And that -- as I too often tell this story -- is how I once edited the amazing, brilliant, prolific, trailblazing John Updike.

RIP. -- MichaelK

Thursday, January 22, 2009

"Frost/Nixon" nominated for Oscars

And the winner is... well, maybe not just yet, but it's in the running.

This morning the movie "Frost/Nixon" was nominated for the Best Picture and Adapted Screenplay (Peter Morgan who also wrote the original Broadway play) Oscars. For Best Picture, Frost/Nixon is up against "The Curious Case of Benjamin Button," "Milk," "The Reader" and "Slumdog Millionaire."

Want to see the play (written by Peter Morgan) that started all the Hollywood buzz? Of course you do! Frost/Nixon will be performed live at the TBPAC Feb. 17-22 and stars Stacy Keach as "President Nixon."

Wednesday, January 21, 2009

Spot the irony

It’s a fun game and everybody’s playing it! Patti Lupone, Broadway great and supplier of “spot-the-Patti” in guest starring roles in shows like Ugly Betty and Oz (bet that’s one of the few times you put those to shows together in the same sentence), lost her mind the other day. A very rude patron attending Gypsy (Lupone won the 2008 Best Leading Actress in a Musical Tony Award for this role) was taking photos during the show.

During. The. Show.

I’m a performer and I can’t tell you how incredibly inconsiderate flash photographs are to performers and the patrons.

But don’t let me tell you – let Patti: http://gawker.com/5135726/patti-lupones-fabulous-mid+show-freak-out

Now of course there is irony in this whole story – but we’ll let you figure it out for yourselves.

- Kari G.

Tuesday, January 20, 2009

Red Molly plays Joe's Pub (and TBPAC!)

The trio plays Joe's Pub in January, and the pub bookers apparently are big fans of the eclectic trio.

They said: Since 2004, Red Molly has been bringing audiences to their feet with stunning three-part harmonies, crisp musicianship, and their warm, engaging stage presence. The ladies have a lot of fun on stage, and it’s contagious. In 2008, Red Molly released their first full-length studio album, called LOVE AND OTHER TRAGEDIES. It rose quickly into the Top 20 on the Radio & Records Americana chart, and stayed there for 10 full weeks in Summer 2008.

Of course, you don't have to go to NYC to see them. They're playing TBPAC's Club Jaeb next month on Feb. 16. -- MichaelK

Spamalot celebrates the inauguration with $44 tickets!

In honor of the Inauguration of our 44th President, Barack Obama, on Tuesday, Jan. 20, you can buy Monty Python's Spamalot tickets for $44 to the Tuesday, Wednesday and Thursday evening performances. Go here and use promo code: PRESIDENT

This is only a one-day only sale on Tuesday, Jan. 20, so don't miss it!

SPAM is a registered trademark of Hormel Foods, LLC, used with permission here. Limit 4 discounted tickets per order. Subject to availability. Not applicable to prior sales. Cannot be combined with any other offer.

Monday, January 19, 2009

Riverdance rush ticket discounts


Still don't have tickets to the Farewell Performances of Riverdance?

Then how about this... You can purchase $20 tickets to the Wednesday and Thursday performances when you bring a non-perishable food item to the TBPAC Ticket Office no sooner than 90 minutes to curtain. One food item per discounted ticket. Limit 4 discounted tickets.

All donations will benefit Metropolitan Ministries so we can help them restock their shelves after the holidays.

Student/Military rush: 50% off Tues/Wed/Thurs/Sun evening performances no sooner than 90 minutes to curtain at the TBPAC Ticket Office with valid ID. Limit 4 tickets.

All offers... Not applicable to prior sales. Cannot be combined with any other offer. Subject to availability. Fees apply.

Now you REALLY don't have a reason not to see the show. There's a reason it's an International Phenomenon!






Tuesday, January 06, 2009

Open & close: Magic of the theater

In the annual rite of January closings, more than a dozen Broadway plays and musicals are either dark or getting dimmer this month in NYC.

Rather than mourn their passing (for there are others on the horizon to fill their stages and their seats), let The New York Times celebrate not that they are leaving, but that they were alive in the first place.

"Live theater has a built-in bittersweetness born of its ephemeral nature. The magic is here and now, it's gone forever ... or at least until its next revival. ... That's why being present when a work of achieved art passes into history (or even earlier during its run -- MK) can be inordinately moving, a reminder that beauty itself is mostly an evanescent thing in life."

Here at TBPAC, we just waved good-bye to the last of the energetic cast of "Spring Awakening," who jump-started our 2009. Now we look ahead to "Riverdance," "Spamalot" and "Rent" over the next months, along with a host of smaller, more intimate, productions in our other four theaters.

If your new year's resolution is to have more memories than regrets, consider starting here. -- MichaelK

Tuesday, December 30, 2008

Spring Awakening - we want to know what you thought!

It seems some of the coverage of the show in the local media has only focused on some of the more titillating aspects of this winner of eight 2007 Tony Awards - including Best Musical.

Personally, I feel like it's one of the best things to hit Broadway in at least a decade. I also have a fairly long history with the source material, a college professor of mine (Dr. Ralf Remshardt) wrote a brilliant translation of the original Wedekind play while I was in grad school that I had an opportunity to see. A few years later I would produce that very same script with my company, Jobsite Theater.

It's the prerogative of the masses I suppose to get outraged, or rail against things they think are obscene. Still, the sensibilities of individuals and what they find offensive is very subjective. I feel like TBPAC has been nothing but up front about the show, and even gave season ticket holders the option to opt-out of seeing/paying for it. No one is trying to trick anyone and certainly any play, book, CD or movie should be avoided by someone who feels like they wouldn't care for it - whatever the reason. Others still deserve the opportunity.

I'm very curious as to what our readers might think of the performance on stage this week. If you see the show - which I honestly hope you do as it's groundbreaking, powerful stuff - I hope you might remember to come back here and let us know what you think. The only thing I'll ask is that we keep it fair and clean since this is an open blog.

Free: Scene on the Green showing of the original Oceans 11

TBPAC hosts our first free Scene on the Green event for 2009 next Friday with the original Oceans 11 (y'know, the one from the '60s with that Sinatra dude in it).

Pack a picnic and a blanket and come on down!

Win tickets to the opening night of RENT!

Text RENT to TBPAC (82722) before each performance of Spring Awakening (Dec. 30, 2008 at 7:30 p.m.; Dec. 31, 2008 at 7:30 p.m.; Jan 1, 2009 at 7:30 p.m.; Jan. 2, 2009 at 8 p.m.; Jan. 3, 2009 at 2 p.m.; Jan. 3, 2009 at 8 p.m.; Jan. 4, 2009 at 2 p.m. and Jan. 4, 2009 at 7:30 p.m.) for your chance to win a pair of opening night tickets to see RENT on July 7, 2009. A winner will be chosen at random during every performance of Spring Awakening, notified by text message and given further instructions on how to claim the prize.

Standard text-messaging rates from your carrier apply. Only one entry per device. Entries will be received daily up until the scheduled show time. Saturday and Sunday will each have two contests with one ending with the matinee performance and the other ending at the evening performance.

For complete contest rules, click here.

TBPAC's SMS technology is provided by our friends at Agile Communications.

Monday, December 29, 2008

Music Director/Pianist needed

Audition Notice

The Tampa Bay Performing Arts Center is currently seeking a musical director/pianist for our upcoming production, WAIST WATCHERS - THE CALORIE-FREE MUSICAL. Responsibilities will be all rehearsals starting January 12 2009, play all shows (2/6/2009-5/10/2009) 8 show week (Tues-Sun), any brush-up music rehearsals/understudy put-ins.

Please contact Scott Belowsky directly to set up an interview.

Scott Belowsky
Tampa Bay Performing Arts Center
PO Box 518
Tampa, FL 33601
813-222-1279

The Love Project

Coming Feb. 13-15

In the Heights connection to Sesame Street

Now that I have a baby I'm officially a Sesame Street watcher. If you're a parent of an infant or toddler you too have sat through your share of Sesame Street. The other day I was watching and the "Murray has a little lamb" segment came on. For those of you aren't active watchers, this is a segment where the muppet, Murray Monster, visits a new school each episode. He has a little lamb, Ovejita, who speaks Spanish and provides clues about the school so Murray can guess. In any case, the hip-hop/rap theme song came on and I knew I had heard the voice before. After a second listen I placed it. It's the voice of Lin-Manuel Miranda. Miranda is the composer, original conceptor and star of Broadway's Tony Award-winning Best Musical In The Heights!

And there's your random fact for the day. Impress your friends! :)

Tuesday, December 23, 2008

Want a discount to Spring Awakening?



If you're looking for a discount on Spring Awakening tickets, which is coming to Tampa next week, just break out your cell phone and text MORITZ to TBPAC (82722) for the offer and promo code. Yep, I'm making you work for it!

Photo by Paul Kolnik

TBPAC's SMS technology is provided by our friends at Agile Communications.

Tuesday, December 16, 2008

F. Reed Brown's VOICES

Coming Jan. 9 - 11, F. Reed Brown's Voices.

For those who may have enjoyed the two sold-out runs of Vincent, this is the same actor (a USF alum, even) who has put this multi-person show together.

Thursday, December 11, 2008

Crazy awesome Midnight Madness sale - 12/12!

Midnight Madness - 12/12. 12 noon to 11:59pm

See A Christmas Story for free, stay to get all your Xmas shopping done on a dime!

WOO HOO!

http://www.tbpac.org/madness/

Friday, December 05, 2008

$20 tickets to see Chitty Chitty Bang Bang when you donate an unwrapped toy!


Chitty flies into Tampa Tuesday through Sunday, Dec. 9-14, and she's bringing the holiday spirit along with her. For $20, you can see what The Miami Herald calls "a driving, floating, flying wonder" and help make a child's holiday a little brighter.


Chitty Chitty Bang Bang is offering $20 tickets for the Tuesday, Thursday, Friday and Sunday evening performances when you bring an unwrapped toy to the show. Visit the TBPAC Ticket Office (for the Tuesday performance, please visit the table located in the TBPAC Shimberg Courtyard, just steps from the Ticket Office windows) no sooner than two hours to show time on Tuesday, Thursday, Friday and Sunday, drop off your unwrapped toy and you can purchase a $20 ticket* for that evening's performance.


All of the toys collected will be donated to Metropolitan Ministries. For a list of suggested items, visit http://www.metromin.org/


*Discount tickets are available for remaining seats to the evening's performance you are purchasing. Discounted tickets are available on a first-come, first-served basis. One discounted ticket per toy. Limit 8 discounted tickets. Not applicable to prior sales. Cannot be combined with any other offer.

Wednesday, December 03, 2008

Sister's Christmas Catechism a hit with the Trib!

" Stefano made a wonderful nun ... serendipitous moments of ad-lib [made] the production sparkle ... Sister's Christmas Catechism is a nostalgic treat that everyone can enjoy — with or without confirmation." - The Tampa Tribune

Make sure to follow the above link to read the full review! Sister's Christmas Catechism is off tonight (12/3), but back on tomorrow through Dec. 21.


This just in: Jeff Dunham going on sale!

TBPAC will be presenting comedian Jeff Dunham at the at the St. Pete Times Forum (yes, you read that right - we're presenting it, but it's AT the Forum, not here) on March 22, 2009.

This show goes on sale TODAY (12/3) at 5pm for all TBPAC donors and will go on sale to the general public Friday, 12/5. You can buy as of noon from TBPAC.ORG, from the TBPAC Ticket Office window or by calling 813.229.STAR.

Here's a clip of Dunham introducing one of his favorite friends, Walter from his Spark of Insanity special:

Wednesday, November 26, 2008

Broadway on Turkey-day

Some people look forward to Thanksgiving football. I, on the other hand, grab a cup of coffee and turn on the Macy's Thanksgiving Day Parade. It seriously doesn't feel like Thanksgiving until I've listened to Matt Lauer describe a giant balloon or two. (Is it wrong that I secretly find it thrilling to watch what happens when a gust of wind comes by? ... but I digress.)

Now to the good stuff... Broadway performances during the parade. Depending on what network you watch, there will be different shows highlighted. CBS will feature performances by the cast of Mary Poppins (who will be flying in for the 2009-2010 Tampa season), Grease and Clay Aiken in Monty Python's Spamalot (coming to Tampa in March 09). NBC will show performances by The Little Mermaid, South Pacific, In the Heights and Irving Berlin's White Christmas.

If you happen to miss any of these special performances, keep an eye out for the floats. There will be performances by the cast of the new revival of Hair as well as a songs from Broadway favorites Kristin Chenoweth and Idina Menzel.

From all the bloggers of Culture Shock and the TBPAC... Happy Thanksgiving!

Friday, November 21, 2008

Opera Lover seeks advice from Dear Abby

From Nov. 21’s column:

DEAR ABBY:

Because I arrived late to an opera performance, I was forced to sit in the designated section for latecomers. Seated next to me was an attractive young lady with whom I had a pleasant conversation as we watched the televised first act. Afterward, of course, we took our assigned seats.

It is difficult for some of us art and opera lovers to find compatible friends with shared interests. My question is, do genteel younger women consider it foolishly ill-mannered, disturbing or offensive to be impetuously invited by an older, single gentleman (age 47) for an after-performance dinner or cocktail?

-- GIL IN HOUSTON



DEAR GIL:

Heck, no! And stop calling yourself old. It ain't over 'til the fat lady sings.

You heard it from the expert Gil! Do you have a “special someone” you’d like to take to the opera? Opera Tampa’s The Barber of Seville is just around the corner on Dec. 5 and 7. Think of it as one of the “first romantic comedies.” Figaro! Figaro! Figaro!

- Kari G.

See a show this weekend!

Phantom of the Opera closes Sunday, but we're more than just Broadway! Here are two other shows gracing our stages this weekend:

Trent Armand Kendall in Picture Incomplete - a one man musical


Steve Solomon's My Sisters an Only Child

Tuesday, November 18, 2008

MetMin Phantom food drive update

MetMin weighs all of their donations, and guess what ... ?

With all of our efforts, and the generosity of the Phantom folks, we provided Met Min with a TON of food -- literally -- more than a ton, actually -- 2400 pounds! That's almost a ton and a half!

Remarkable!

-sb

Sir David Frost on The Daily Show with Jon Stewart

Sir David Frost was the special guest last night on The Daily Show with Jon Stewart, promoting the DVD of the original interviews between him and Richard Nixon.

There is also a national tour out of the play based on those 28 hours of interviews that spanned 12 days, Frost/Nixon, which stars Stacey Keach and is coming to Tampa Feb. 17-22. A Ron Howard film is also coming out soon starring Frank Langella and Martin Sheen - the original cast of both the London and Broadway productions.

Get a $5 ticket with a food donation this Wed. or Thu.!

If you were here last night, or were leaving Downtown between 5:30 and 6:30, you probably saw the line wrapped around TBPAC. All of those folks brought non-perishable items to benefit Metropolitan Ministries food bank, and in return they could purchase a ticket to Phantom for $10.

The drive was a rousing success -- we filled two 55 gallon barrels and three 20 bushel stage hampers! 1,000 people came down, each bringing at least one item and many bringing cases or multiple bags of food.

Since it was so successful, in the spirit of the season of giving, we're gonna do it again!

Tomorrow night and Thursday night, if a patron brings a non-perishable food item to the TBPAC Ticket Office, they will receive a voucher to purchase a ticket to Steve Solomon's My Sister's an Only Child, for just $5. This hilarious follow-up to his previously sold-out engagements of My Mother's Italian, My Father's Jewish and I'm in Therapy plays in the Jaeb Theater Nov. 19-23.
The show will have you in stitches and you'll feel great because you'll be helping poor and homeless families receive a holiday meal, or perhaps just help them to have dinner one night this week.

In their 2008 fiscal year Metropolitan Ministries:
  • Sheltered 101 families
  • Sheltered 38 single women
  • Served over 20,000 Outreach families with 61,500 children
  • Provided over 21,000 families with holiday assistance

Help them continue to bring a little holiday cheer to those in our community who need it most.

SPREAD THE WORD! Send this on to colleagues, friends and family.

-sb

Monday, November 17, 2008

Picture Incomplete opens this year's Off Center Series - this weekend!

I have a special attachment to the Shimberg Playhouse. Of all five halls at TBPAC, I likely spend the second-most amount of my time in the building in that room (the first of course being my office).

The Shimberg hosts a lot of events, but my attachment is mostly to my own Jobsite Play Series as well as the Off Center Series.

Before Jobsite ever began working in the Shimberg, I watched shows in the Shimberg Playhouse (then the Off Center Theater) that I couldn't have seen anywhere else in the region.

In the 10 years I've been in Tampa I've seen gripping solo work like Danny Hoch's Jails, Hospitals and Hip Hop (my first Off Center show). I've been delighted by the female clown troupe Gams on the Lam (twice). I've had the opportunity to take workshops from the Gams and from Shawn McConneloug and Her Orchestra. There have been puppets, gay Jewish jugglers and a one man play about an artist who cut his ear off as written by Spock and performed by a USF alum. Karla Hartley has done an outstanding job bringing quality, innovative work to TBPAC year in and year out.

The importance of work like this can't be overstated. Truly, this sort of work exists no where else in the region. Like much of what we do at TBPAC, you simply won't find it anywhere else.

It's often difficult to attract an audience to unknown plays even by known local or national companies. It can be far more challenging to attract an audience to unknown work by unknown players.

To be blunt, in these difficult financial times work like this is often among the first to be put on the cutting block - despite how mission-oriented it might be. It's economics, plain and simple. It's why we're trying to make such a push for this year's series, so that's not even an option.

The first of this year's Off Center Series is this weekend. It's Picture Incomplete - a one man musical. I spoke to Karla last night, and she tells me how great the show sounds from the rehearsals they've already had in the building. Some TBPAC patrons may even remember Trent Armand Kendall from his performance in Diva Diaries a few years back. He's a driven performer who is taking time from his other gig - part of the national tour for The Color Purple - to bring his show to us in Tampa this weekend.

Not to hard sell or anything, but there is a special offer on this year's series for just $49 for all four shows available through this weekend. It's a great deal, check it out if you're interested. Trent is also offering a free workshop on Friday on the subject of creating a musical.

Thursday, November 13, 2008

Chitty auditions are FULL

The child auditions for Chitty Chitty Bang Bang are now FULL. We cannot accept any more applications. Thanks for your interest, and we hope you can see the show!

Tuesday, November 11, 2008

The Phantom has a heart ...

Check this out, from The Phantom of the Opera - what a mensch!

The Phantom of the Opera wants to make it a happy Thanksgiving for all of Tampa Bay. Just bring a non-perishable food item, to benefit Metropolitan Ministries, to the Tampa Bay Performing Arts Center Ticket Office beginning at 5:30 on Monday, Nov. 17, and you'll receive a $10 ticket to the 7:30 performance of Phantom that same night! Subject to availability. Capacity is limited. Limit one $10 ticket per person.

Thursday, November 06, 2008

Join Tampa's Guilty Ones

TBPAC and the national tour of SPRING AWAKENING are looking for eager, energetic theater fanatics to join THE GUILTY ONES, the official street team for Broadway's groundbreaking new musical, SPRING AWAKENING.

What is Spring Awakening?
Broadway’s most talked about new musical and the biggest Tony Award®-winner in years, Spring Awakening, the 8-time Tony Award® winning Broadway musical, will make its premiere at TBPAC on Dec. 30, 2008, and run through Jan. 4, 2009.

Based on the infamous 1891 Frank Wedekind play, Spring Awakening features an electrifying score by Duncan Sheik and Steven Sater, direction by Michael Mayer, choreography by award-winning Bill T. Jones and Book by Mr. Sater. Set against the backdrop of a repressive and provincial late 19th century Germany, Spring Awakening tells the timeless story of teenage self-discovery and budding sexuality as seen through the eyes of three teenagers. Haunting and provocative, Spring Awakening celebrates an unforgettable journey from youth to adulthood.

Who are the Guilty Ones?
The Guilty Ones started as a group of fans in New York who loved SPRING AWAKENING so much, they decided to organize and spread the word on their own. As SPRING AWAKENING prepares to launch its first national tour, TBPAC will be following in the original Guilty Ones’ footsteps by establishing the Guilty Ones as our official street team of guerilla marketers.

What do I have to do to become a Guilty One?
Your involvement with The Guilty Ones can include as little or as much as you want to do. We’ll be operating everything on a point system which means the more "deeds" you do to help us promote the show, the more awesome “junk” you’ll receive.

"Deeds" include using MySpace, Twitter, Facebook or your personal blogs to get the word out, putting up flyers and posters in places you hang out, recruiting more members and a lot more.

"Junk" includes free t-shirts, free autographed tour merchandise, the ability to buy special on-stage seats, meet and greets with the cast and possibly even a FREE opening night package which includes all the stuff listed above.

To Join the The Guilty Ones
Copy and paste the questionnaire below into an email, answer the questions and email it to david.jenkins@tbpac.org. We will contact you with more information as soon as possible.

Guilty Ones Questionnaire
Name:
Date of Birth:
Address:
Phone Number:
School attending (if any):
How much time can you devote to the group?
Do you have your driver’s license?
Do you have any special talents?
What’s your favorite musical?
What do you want to be when you grow up?
Why do you want to be a Guilty One?

Thursday, October 30, 2008

The Phantom, the Devil make TBO's BOT

Head on over to TBO.com to see this week's installment of The BOT, where both The Phantom of the Opera and The History of the Devil made the Top 5 Things to Get You Off the Couch This Weekend list ... make sure to watch the video all the way through the end to see a pretty phunny Phantom election spoof.

Wednesday, October 29, 2008

Rocky Horror on WTSP

Check out these clips of cast members of The Rocky Horror Show on our local CBS affiliate:

On Channel 10 News

On their Studio 10 program

Just 6 more performances remain!

Tuesday, October 28, 2008

The Phantom, a Sweet Transvestive and the Devil walk into a bar ...

Ok, well, it's not really a joke, but it is what's on stage this week at TBPAC. What a full plate of Halloween treats! Muahahahahahahahaha!

This is the LAST WEEKEND for The Rocky Horror Show in our Jaeb Theater. Shows remain Wed. - Sat. night at 7:30 and Fri. and Sat. nights at 11pm. The 11pm shows feature FULL AUDIENCE PARTICIPATION with prop bags on sale in the lobby for just $10.

Arrive in costume as of one hour before curtain to any show, and you can get a chance to score a specially-priced $15.50 ticket that allows you to sit ON STAGE.

Just SIX more performances remain of this cult classic.



LET'S DO THE TIME WARP AGAIN!


And hot on the heels of Rocky comes the Clive Barker epic The History of the Devil, where Lucifer is granted a parole appeal in front of a court of man. Is The Devil responsible for the world's evil since his fall from Heaven, or is he just a witness to mankind's own demons?

Come to the Shimberg Playhouse and see for yourself!



The trial of the millennium is about to begin and you've been called for jury duty!

And finally, don't miss Broadway's smash hit The Phantom of the Opera, opening Oct. 30 for a limited engagement in Morsani Hall. Check out a video of Phantom over at our Broadway Channel!

Tuesday, October 14, 2008

Sweet deal on Broadway shows at TBPAC!

Get 8 Broadway shows starting at less than $100!

Cloud Club: $94.90; Sat. matinee only: $300, $200 or $100 depending on seating area. Call 813.229.STAR.

Monday, October 13, 2008

Rocky Horror - clips from backstage

The Rocky Horror Show cast member Michael Indeglio (Brad) put this video together featuring a lot of perspective from the backstage point of view. Don't forget that Rocky closes on Nov. 1!

Thursday, October 09, 2008

Rocky scores another rave review!

This time from the Trib:

"Like fishnet stockings and kinky boots, "The Rocky Horror Show" has yet to go out of style … Camp works, and so does [TBPAC's] production of the cult classic … [a] delightfully macabre musical bacchanal." - The Tampa Tribune
The Rocky Horror Show is on stage now through Nov. 1.

Wednesday, October 08, 2008

USF Oracle <3's Rocky Horror

"... amazing singing, lewd dance numbers and the same crazy debauchery Rocky Horror has brought to audiences for more than 30 years ... It’s a show of raunchy lyrics. It’s a play that, well, flouts some conventional moral codes. It’s a cult classic that people just love to see over and over, and the Tampa Bay Performing Arts Center does it justice."
Check out the full review here: http://bit.ly/3mWOjG

Tuesday, October 07, 2008

Rocky Horror is a hit with the St. Pete Times!

Why the stage show is more fun than the movie: Many of the performers can actually sing, unlike Susan Sarandon and Barry Bostwick in the movie. The band, led by Stan Collins on funky keyboards, is great in Time Warp.

Good parts: Karla Hartley channeling Meat Loaf in Hot Patootie. The Usherettes (Alison Burns, Nadeen Holloway) and Phantoms in Science Fiction Double Feature. The Joe Maddon specs worn by Brad (Michael Indeglio). The video design (by Hartley) featuring clips from Forbidden Planet, Doctor X and other flicks. Joseph P. Oshry's vivid lighting. The childishly debauched atmosphere established by co-directors Hartley and Rick Criswell.


See the full review here: http://bit.ly/442GEN

Monday, October 06, 2008

Frost/Nixon opens in Des Moines

Occasionally, we get dispatches from the touring Broadway world, and we just received this one from the producers of Frost/Nixon, which just opened in Des Moines.

“I’m happy to report that the Frost/Nixon tour is up and running and soon coming to a city near you! After our tech week and one preview in Owensboro, Kentucky, we made our first move and had a terrific first performance in Des Moines last night. The cast is truly wonderful. Stacy Keach is a great Nixon, but is also the perfect leader for the company. Yesterday in Des Moines he gave 10 local radio and TV reviews in the morning, a full company rehearsal in the afternoon, and the first performance last night, and did it all with aplomb."

“Scenically, the show is as close a replica of the Broadway production as is possible. The TV screen uses flat-screen technology instead of the vintage TV monitors from Broadway. The lighting rig includes moving lights to isolate the actors in the same way that we did on Broadway, and everyone is pleased with the results.

“This is a first-rate tour that you can all be extremely proud of.”

Soon, we’ll be able to check it out for ourselves. -- MichaelK

The Wizard of Oz

In a little more than a week The Wizard of Oz will blow into Tampa Bay Performing Arts Center for a one-week engagement. To promote the occasion, The Wizard of Oz the movie was screened as part of our Scene on the Green series (don’t miss Young Frankenstein this Fri. night at 8 p.m.).

While I was watching the movie out on the Riverwalk, I remembered my A.P. History teacher explaining the extended metaphor of Baum’s Wizard to William Jennings Bryan’s “Cross of Gold” speech.

I haven’t been in that class since the first Bush administration, so I must admit, my memory failed me on the details.

Today, a wonderful friend Vinny Tafuro who loves the theater and politics (the perfect combination) – sent me the story out-of-the-blue. I include it here for some fun historic reference and some solace in these unique, but not unprecedented economic times.

The Wonderful Wizard of Oz

The Wonderful Wizard of Oz was first published in Chicago in 1900. Its author, L. Frank Baum, was the editor of a South Dakota newspaper and a supporter of William Jennings Bryan who stood three times, unsuccessfully, as a U.S. Presidential candidate for the Democratic Party.

The particular concern of both Baum and Bryan was the nature of the money supply then prevalent in the United States, and in the Mid-Western States in particular.

In America during the 1890s, as in Britain, there had been a severe depression. Many businesses had gone bankrupt, farmers forced to sell up, factories closed and workers made unemployed. True, some farms in the Mid-West were suffering from drought, but most were still capable of growing food; the businesses and factories were still capable of providing the things that people needed; the workers still wanted to work to provide those things, and people would still want the goods and services produced if they had the money to buy them.

The money in the USA then, as now, was entirely created by the private banking system. The pretence existed then that money was based on gold. (Even now some people still think that it is!) The major banks, based on the East and West coasts, could vary the amount of money in circulation, lending more to encourage commercial activity, then fore-closing on loans to put people out of business, enabling the banks to acquire their businesses cheaply.

Baum and Bryan wanted money to be based on silver, not gold, as silver was more readily available in the Mid-West, where it was mined. Such a money supply could not be manipulated by the banks. So the story of the Wizard of Oz starts with a cyclone in the form of imagined electoral success for Bryan...

Dorothy, a sort of proverbial ‘Everywoman’, lands on the Wicked Witch of the East (the East-coast bankers), killing her, so freeing the Munchkins, the down-trodden poor, but the Wicked Witch of the West (the West-coast bankers) remains loose.

To deal with her and to get back to Kansas (normality), the Good Witch of the North, representing the electorate of the North (this is less than 40 years after the civil war), tells Dorothy to seek out the Wizard of Oz (‘oz’ being short for ounce, the means of weighing both gold and silver). She also gives her a pair of silver slippers (as they were in the book - they became ruby ones in the film). Only these silver slippers will enable her to remain safe on the yellow-brick road, representing the bankers’ gold standard, as she heads towards the Emerald City, representing Washington DC.

On her journey, Dorothy encounters a Scarecrow, representing the farmers, who do not have the wit to understand how they can end up losing their farms to the banks, even though they work hard to grow the food to feed a hungry nation. If only they could think it through!

Next, she encounters a Tin Woodsman, representing the industrial workers, rusted as solid as the factories of the 1890s depression, and who have lost the sense of compassion and co-operation to work together to help each other during hard times. Also, a spell cast upon him by the Wicked Witch of the East meant that every time he swung his axe, he chopped off a bit of himself - he downsized!

Then the growing party encounters a Cowardly Lion, representing the politicians. These have the power, through the power of Congress and the Constitution, to confront the Wicked Witches, representing the banks, but they lack the courage to do so.

Dorothy is able to motivate these three potent forces and leads them all towards the Emerald City, whence ‘greenbacks’ had once come, and an encounter with the omnipotent and wonderful Wizard of Oz.

The Wizard of Oz is initially quite majestic and apparently awesome, but he turns out to be a little man without the power that people assume he possesses. He does, of course, represent the President of the United States. With the Wizard’s illusion of power shattered, he is replaced by the Scarecrow who would ‘be another Lincoln’.

The Wicked Witch of the West, fearful for her own power, then attempts to destroy Dorothy but is herself dissolved in a bucket of water, as rain relieves the Mid-West drought, saves the farmers’ livelihoods and prevents repossession by the banks.

The Good Witch of the South, representing the Southern electorate, tells Dorothy that her silver slippers, silver-based money, are so powerful that anything she wishes for is possible, even without the help of the Wizard. Dorothy wishes to go home. There all is now well, because the land has a stable and abundant money supply.
-Kari G.

Win tix to Rocky Horror on 10/9!

Text ROCKY to TBPAC (82722) for your chance to win a 4-pack of tickets to see the 7:30pm showing of The Rocky Horror Show THIS Thursday (10/9).

A lucky winner will be drawn at random at or around 5pm on Wed., Oct. 8. The winner will be contacted by text message. Standard text-messaging fees from your wireless provider apply.

TBPAC's texting service is provided by Agile Communications.

Thursday, October 02, 2008

Blogging Molly

The latest newsletter from Red Molly, a super talented group of ladies who will appear later in our Club Jaeb series:

Hey Everybody!

We finished out the summer with a bang, making our first trip to TX and NM, and then coming back East for our last set of outdoor shows, at the Bolton Fair in MA. In October, we'll be traveling as far north as Maine, and as far south as Alabama! All October shows are listed below. If you have friends in GA or AL, please let them know we'll be in their neck of the woods (October 22-25).

Have you seen the Red Molly Tour Diary? We usually write about the weekend's shows on our website, but this time we decided to give all you Red Heads a taste of what it's like to be right there in the car with us, traveling on the road with the band! Check out our first ever AUDIO Tour Diary here (FYI, it's 7 minutes long):
http://www.redmolly.com/audiotourdiary.html

In other news, the latest review of "Love and Other Tragedies" is in the Hartford Advocate, calling the CD "Beautiful, masterfully played, and emotionally evocative". Read the rest of the review here:
http://www.hartfordadvocate.com/article.cfm?aid=9815

See you soon,
Laurie, Abbie & Carolann

--------------------------------------------------------------------------------
Official website: www.redmolly.com
Fan website: http://launch.groups.yahoo.com/group/redmolly
Myspace: www.myspace.com/redmollyband
Merchandise: www.redmolly.com/merchandise.html
--------------------------------------------------------------------------------

The Rocky Horror Show opens tonight!

On stage now through Nov. 1 in the Jaeb Theater!



There are special 11pm shows on Fri. and Sat. nights featuring AUDIENCE PARTICIPATION with prop bags on sale in the lobby for $5.

Come to ANY performance in costume one hour before curtain for your chance to win a voucher that will allow you to buy a ticket for that performance for $15.50 (including service charge) that allows you to sit ON STAGE!

Don't dream it - be it!

Tuesday, September 30, 2008

Meet the cast of Rocky Horror on 10/11 at International Mall

If you go to International Mall on 10/11, you can be treated to a special behind-the-scenes look at the creation of the wild and wonderful looks of the cast of The Rocky Horror Show at the MAC store and Toni & Guy salon.

The cast of Rocky will be getting into make-up from 10am to noon at the MAC store. Stop by for a special look at the "making of" these unconventional conventionists and have a chance to win free tickets at the store. There will also be a chance to meet and greet the performers after they have finished getting into make-up.

From noon to 2pm the cast will be at Toni & Guy salon getting coiffed by their stellar stylists. There will be another opportunity to meet the cast and win tickets at that location.

PRESS TBPAC Rocky Horror Group -¬Rob Harris

Wanna see more PR shots from Rocky? Head over to TBPAC's photo stream on Flickr!

Wednesday, September 24, 2008

Wild and untamed things ...


Rocky Horror director Rick Criswell sent me this candid photo from yesterday's rehearsal.

Looks like our production of The Rocky Horror Show is going to be something to make your heart pump and your blood sing. So let the party and the sound rock on as of Oct. 2 down in the Jaeb!

RENT, RENT, RENT, RENT, REEENNNNTTTT

Sony Pictures captured Rent's final night on Broadway on Sept. 7 and is bringing this Hot Ticket feature to movie theaters near you -- for 4 days only -- beginning today! There is backstage footage of the emotional night, interviews from cast members past and present -- a real Renthead can afford to miss this opportunity. Here's a link to a full list of theaters where it's playing -- lots of places to catch it -- Baywalk, Starlight 20, Citrus Park ... and many more.

TBPAC will be bringing a special 2009 tour of Rent in July, starring the original Mark and Roger, Anthony Rapp and Adam Pascal.

- summer b

New and interesting Broadway shows in the making ...

Spider Sense is coming to Broadway in 2009. I've been hearing rumor of a Broadway version of Spiderman for some years now. Seems it's firmly slated to go up in 2009. Directed by Julie Taymor (of Lion King fame) and music by Bono and The Edge ... it's sure to be a phenomenon.

And on a much more obscure note -- although no date has been set for opening, the Brett Easton Ellis novel American Psycho is also planning a stage adaptation of this vicious social satire. I have to say, I'm already looking forward to that one.

- summer b

Monday, September 22, 2008

Rocky Horror confessions

I've probably seen The Rocky Horror Picture Show more than any other movie. Yes, more time that Star Wars or Clerks or even A Christmas Story.

I stopped counting when I hit 600. Seriously. I can quite literally recite it backwards and forwards, and I know all the naughty bits to yell out in the theater for the audience participation.

I did the stage show (The Rocky Horror Show - which is the stage show as opposed to the movie because it lacks the word 'Picture', see?) and participated in a live-cast-in-front-of-the-movie experience for close to 10 years.

Not usually something I admit much, or even often bring up in mixed company (like much of my true hardcore geekdom).

It all started when I was around 12, living in the San Marco area of Jacksonville. They had an old theater there that showed the movie late nights on weekends, and I lived just around the corner. I'd go there a fair amount to catch the dollar movies. One night while leaving the theater I saw what looked to be a costume party waiting out front. Girls in fishnets and bustiers. Hell, guys in fishnets and bustiers. Guys in nerd glasses wearing tuxes. Men and women dressed as bikers, butlers, maids as well as all other manner of unconventional conventionists.

I had to know what that was all about, so I stayed. What I saw was nothing short of amazing. Life changing, even. The movie (a crazy sci-fi horror musical about a tranny from outer space who comes to earth to corrupt wholesome good Amerrican kids and teach them to let loose their libidos) was being completely acted out by people in costumes in front of the screen. People in the audience shouted things in unison on key lines or at key moments. Also in unison everyone pulled out waterguns or newspapers, toast and hot dogs. It was the craziest thing I'd ever seen.

So I went back next weekend, and just about every weekend after. I got very good at knowing all of the audience participation lines. I even made some up. By the time I was 15 I was in the cast playing the parts Eddie and Dr. Scott. On "switch nights" everyone in the cast swapped parts based on gender, and I played Magenta. From 15 to 18 I spent virtually every Friday and Saturday night as one of the leaders of our own merry band of misfits, at the AMC Regency and the Murray Hill Theater.

No matter what else I had going on - other shows, parties, events, clubs - I'd always manage to make it out those freaky midnight showings. Heck, one time after we'd gone to a Mojo Nixon concert, we managed to get Mojo Nixon to actually come with us to the show. Quoth Mojo "Rocky Horror Picture Show? Ain't that where they got them men wearin' them black brassieres?" That night would also be my first introduction to drinking gin. Bad gin. In a mall parking lot at midnight in the back of a Nova with Mojo Nixon.

Only in Jacksonville, ladies and gentlemen ...

I collected an absurd amount of Rocky Horror paraphernalia over the years - shirts, buttons, books, posters - and the soundtracks. Oh, the soundtracks - I have versions in just about any language. I scored an original release of the cast recording on vinyl at a thrift store once for $1. I joined the fan club and got an autographed photo of Time Curry along with fan club president Sal Piro. For a while I was the official Jax fan club rep.

Even when I left for college I kept up my Rocky fix for a while. I always went back whenever I was home for the weekend, and I found a cast here in Tampa that I visited a few times but never tried to join. Even in grad school at UF I managed to even check out their cast, you know, for old time's sake.

So yeah, the impact is fairly significant. In a weird way it was perhaps my first time running a company as we'd organized to the point of knowing who'd do what parts what nights. Where the costumes and props would live and who would be responsible for bringing them. If we got in someone new and they needed to go in, we had rehearsals. Maybe me without Rocky Horror turns into later never producing or directing Gorey Stories, or The History of the Devil. You never know how that butterfly effect might have played out, right?

Now Tampa can stop dreaming it and start being it down in the Jaeb Theater for the month of October. The Rocky Horror Show (the stage show, not the movie - remember, it doesn't have 'Picture' in it) plays Oct. 2 - Nov. 1. I know I'll have to go at least once, if not 600.

There are special late night show at 10:30 which feature full audience participation (lines, props etc). You can't bring your own stuff in, but pre-approved items will be bagged up and sold in the lobby for $5.

And if you really want to get in on the action, show up in a costume as of an hour before the show for your chance to be able to win the ability to buy special on stage seating for just $15.50, which includes the service charge!

LET'S DO THE TIME WARP AGAIN!

Sunday, September 21, 2008

Rhinestones, cowboys and reunions

NASHVILLE -- The AMA folks paid tribute to Glen Campbell tonight on Cannery Row, with a raucous band backing up a series of singers that drove home his fabulous career.

They did almost all of the big ones:
"By the Time I Get to Phoenix"
"Reason To Believe"
"Gentle on My Mind"
"Kentucky Means Paradise"
"Wichita Lineman"
"Let It Be Me"

Then Campbell came out and did "Rhinestone Cowboy," leading a sing-along. He also covered Green Day ("who I love," he said) with "Good Riddance (Time of Your Life)" from his new CD.

With his rosy cheeks and perma-hair, Campbell used to be a good-humored foil for The Smothers Brothers and others. But the guest musicians gave heartfelt tributes to his influence, even if he did say the Sin City band "looked more like a gang."

Later in the Mercy Lounge, Buddy Miller led a four-piece outfit that seemed utterly comfortable, although they had never played together. Early on, they did Miller's previous Song of the Year winner, "Worry Too Much."

And Miller surprised everyone by bringing out '70s soul shouter Bonnie Bramlett for two songs, including Smokey Robinson's "You Really Got a Hold on Me." On one web site, Bonnie has been called "the queen of hazel-eyed soul." Randall Bramlett was in town, too, for his own set.

It's been a great four days of music, for a pretty unbelievable price. If you love this kind of music, you owe it to yourself to check it out next year.

Meanwhile, we've found lots of acts that we can try and bring to Tampa at one of our five venues at the TBPAC.

If we do, it will be because we heard it here first.

Thank you, Nashville and the AMA. -- MichaelK

Saturday, September 20, 2008

Paul Thorn: Preacher and Puck

NASHVILLE -- New personal favorite Paul Thorn, both preacher and Puck, put on a gospel tent-worthy performance at the Mercy Lounge -- full of salvation, healing, inspiration and dating advice.

("It's not how you kiss 'em, it's how you listen.")

He drew one of the most enthusiastic audiences of the week, including an opening number sing-along on the chorus of "Mission Temple Fireworks Stand."

Kris Kristofferson has called him "the best-kept secret in the music business." He also said his songs were like the stories of true grits Florida writer Harry Crews.

Also on Friday, The Red Stick Ramblers and Raleigh's Chatham County Line took Americana listeners to Cajun and bluegrass roots, respectively. And unofficial Nashville Mayor Jim Lauderdale closed down the Station Inn with songs he had written and performed on a recent CD with legend Ralph Stanley, "Lost in the Lonesome Pines." -- MichaelK

Friday, September 19, 2008

Broadway Ball offers one great party

Before I worked here, my favorite party of the year was the Broadway Ball, the annual TBPAC fundraiser.

Dinner on stage. Memorable music, including some incredible songs from "Phantom" one year. Elegant but fun. Cool auction items.

It's still one of my favorite parties, but now that I'm on staff, it's not quite the same for me.

However, you can experience it as I once did. It's coming up Oct. 11.

There's a link for more info on the tbpac home page.

I'll be there, too, at the staff table if there's room. -- MichaelK

More lipstick at the AMA

NASHVILLE -- So everybody is trying to figure out what Americana is, although we ran a pretty good definition back in September of 2006.

From the Nashville paper:

Well, it's modern music that's based on American roots forms, and there are more tendencies than hard-and-fast rules. In a lot of instances, it sounds a whole lot like country. In fact, platinum country act turned platinum non-country act Dixie Chicks will compete in the "best song" category at the awards show. While country radio booted the Chicks from play lists, Americana stations continue to embrace the band. Americana is a rather amorphous genre, though, and many artists also delve beyond country into rock, folk, blues and jazz. If Neil Young's "Heart of Gold," Don Williams' "Amanda," Bob Dylan's "Like a Rolling Stone" or Dobie Gray's "Drift Away" were released today, they would all be classified as Americana. And Americana is not limited to Americans: Brits Elvis Costello, Mark Knopfler and Nick Lowe are always invited to the party."It's music that is coloring outside the lines, but somehow is connected to that big pool that is folk and country and storytelling and doesn't fit any particular mold," said Emmylou Harris.


But that's pretty long. Here's a simpler, funnier explanation that presenter Elizabeth Cook said from the stage at the Ryman, home to last night's Americana Honors and Awards:

"What's the difference between a folksinger and an Americana singer?"
"Lipstick."


What that means for Buddy Miller I'm not quite sure. -- MichaelK

Americana award winners

NASHVILLE -- In an awards program Thursday at the historic Ryman auditorium, the unlikely Americana duo of Robert Plant and Allison Krauss took home two awards, and Levon Helm one.


The titles of their most recent CDs are testaments to futility: Plant and Krauss released "Raising Sand" and Helm's latest is "Dirt Farmer." But they were triumphant Thursday.

The winners:


Album of the Year -- "Raising Sand," by Plant/Krauss

Artist of the Year -- Levon Helm

Instrumentalist of the Year -- Buddy Miller

New Emerging Artist of the Year -- Mike Farris (Is it me, or is that award title redundant?)

Song of the Year -- "She Left Me for Jesus," Hayes Carll and Brian Keane (who thanked God in his acceptance speech)

Duo/Group of the Year -- Plant/Krauss

President's Award -- Jerry Garcia

Spirit of Americana Free Speech Award -- Joan Baez

Lifetime Achievement for Songwriting -- John Hiatt

Lifetime Achievement for Performance -- Jason and the Scorchers

Jack Emerson Lifetime Achievement for Executive -- Terry Lickona, for 30 years producer of the PBS show "Austin City Limits," the longest-running music TV show in the history of television

Americana Trailblazer -- Nanci Griffith

Lifetime Achievement, Engineer/Producer -- Tony Brown

Lifetime Achievement, Instrumentalist -- Larry Campbell

-- MichaelK





One-liners (and bonus sentences) from the awards program:


"How did I get here." -- Robert Plant

"Don't ever play that on one of my songs." -- Buddy Miller, quoting his wife, Julie Lee

"The founding members of Americana: Jerry Lee Lewis and The Ramones." -- Jason and the Scorchers

"My mother always said, 'John, sing the pretty ones,' but I didn't want to sing the pretty ones because I was young and angry. Now, I mostly sing the pretty ones when I can because that's what people want to hear. "It's not so bad." -- John Hiatt


"I never was in a band where someone else sang. I like this better." -- Robert Plant on his partnership with Allison Krauss

The future of Americana

NASHVILLE -- Americana Honors and Awards Host Jim Lauderdale suggested the future of Americana music was so bright that it not only should wear shades, but that new charts might be created: Americana oldies, Lite Americana and Hot Americana 100.

He was being facetious, but he's not wrong about the growing popularity of the form. It's a big tent, and listeners are searching for meaning no matter what the musical form. -- MichaelK

A night full of stars

NASHVILLE -- Inspired by their peers, Americana artists provided moments of great music, both on stage at the Ryman during the Thursday night awards show, and afterward at the showcases at five venues.

A few highlights:

Tift Merritt joyfully performing her Song of the Year nominee, "Broken"

Emerging Artist of the Year winner Mike Farris putting the soul back in the Ryman, which used to be a church

Lifetime Achievement for Songwriting winner John Hiatt going to the piano for "Have a Little Faith in Me"

Jason and the Scorchers living up to their name as lifetime performance winners

James McMurtry recognizing time passing with "Just Us Kids"

Texan Joe Ely telling stories of farmers and immigrants

The American Beauty Project showcasing the roots of President's Award-winner Jerry Garcia and the Grateful Dead -- MichaelK

Hellooooo, Nashville!

NASHVILLE -- Ah, the trials of a rock star.

Americana award-winner Robert Plant on Thursday night, recalling his Led Zep days:

"I played here many years ago, I think it was with another band. They gave us the key to the city before the concert. And then about halfway through, they put us under house arrest for inciting something or the other. But times are changed and the city has changed and I've changed. It might not have even been this city."

(Might he be confusing a Nashville show with the rain-shortened 1977 concert at Tampa Stadium that led to a mini-riot and a ban on stadium concerts that lasted for a while?) -- MichaelK

Thursday, September 18, 2008

A buffet of choices ...

The nice thing about having five stages at TBPAC is the variety of performers and shows that we can offer over a short period of time. We try very hard to avoid the phrase "something for everybody," but we do appeal to a wide sampling of tastes.

In the next 11 days, you can see the thought-provoking play "Blackbird," Randy Jackson's America's Best Dance Crew Tour, spoken-word artist Henry Rollins, comedian Margaret Cho and the reunion tour of Cheech and Chong. (Thirty years ago, I never would have imagined writing that last bit.)

Plus, Saturday is our annual free Open House and the last day for our 50 percent off Early Bird specials on selected shows and performances. (Note from our attorneys: Some restrictions apply.)

Check out the details on this page and throughout our site. Enjoy your weekend. -- MichaelK

Did you hear about the midnight rambler?

NASHVILLE -- OK, so it wasn't quite midnight, but Levon Helm took his legendary Ramble on the road to the Ryman for more than three hours earlier tonight.

Normally, the Ramble is set at Helm's home/recording studio in Woodstock, N.Y. But for the Americana Music Awards, he staged it at the "mother church of country music ..."

The show opened and closed countless standing ovations later with an audience sing-along of Helm's "The Weight," followed at the end only by an all-star encore version of "Forever Young."

For Helm, who has battled illness and at one point was told he would never sing again, the last song was an affirmation, a celebration and a prayer. His peers praised him for his drumming, his singing, his mandolin playing, his songwriting and his soul. If he hadn't been such an on-stage presence, you might have feared the worst.

The hard-core troubadour Steve Earle was in the 2,000-plus audience with his wife, singer Allison Moorer, who wore an angel's wing design on her back. John Hiatt was there, too. All three ended up on stage before it was through, joining Delbert McClinton, Sam Bush, Buddy Miller, Alison Krauss and Robert Plant, Sheryl Crow, Billy Bob Thorton and a few other visitors.

Helm graciously shared the spotlight with his guests, turning over some well-known songs from The Band to his daughter and members of his 10-piece band-- including a mighty four-piece horn section that threatened to turn songs like "Rag Mama Rag" into a New Orleans Second Line procession.

The keyboard intro and lead to "Chest Fever" became a guitar showcase, perhaps in deference to absent friends.

Krauss and Plant, the most unlikely pairing despite their best-selling CD "Raising Sand," did the first song they ever performed together, the traditional "In the Pines," frequently linked to Leadbelly.

Crow told the crowd she was just a "frustrated country singer." And then proved at least half of that statement.

Miller mentioned that he had no right to sing the song he and his wife Julie wrote, "Wide River To Cross," since Helm covered it on his Grammy Award-winning CD, "Dirt Farmer," Helm's first solo studio effort in 25 years.

"Are you ready, Levon?" they asked at the start.

"I hope so," he said. And then joyfully, triumphantly began the Ramble.

What a great start to the AMA week.

The show ran so long I missed the everybodyfields at The Basement, but I did catch Anne McCue at 3rd and Lindsley, the last few songs of Marcia Ball's set as well as Kim Richey, Will Kimbrough and Mando Saenz at the Mercy Lounge.

Ball closed with her hurricane survival song "Ride It Out," from her new CD, "Peace, Love & BBQ."

Best non-legal legal notice: "We're filming tonight's show for a DVD. We'll be shooting the audience. What that means is, if you're sitting next to someone you shouldn't be seen with, it's time to move."

Best end-of-evening advice: "Don't drive home faster than your angels can fly."

Thursday night brings the Americana Awards and Honors show, also at the Ryman, with the stellar house band led by Buddy Miller. Showcases at the five clubs start at 10.

As always at these showcases, we're looking for people to bring to Tampa at the TBPAC. Our programmers will get the reports and do their best to book the best performers.

Stay tuned. -- MichaelK

Wednesday, September 17, 2008

Doing time at the Americana Festival

NASHVILLE -- If this conference is any indication, the Americana scene is thriving.

The annual Americana Music Association Festival and Conference begins today here in Nashville. The New York Times calls it "the coolest music scene today."

The days are filled with workshops and sessions on the music industry, publishing and connecting with fans. The attendees are performers, radio folks, journalists and fans.

The nights are mostly filled with four or five one-hour sets, at four different venues, accessible by courtesy van. That's 16 to 20 sets a night. If you time it right, you can see six or seven of them at the clubs, and that doesn't count Levon Helm's all-star Ramble on the Road at the Ryman tonight or the Americana Honors and Award program there tomorrow night.

It's a boatload of music, and this is just the city for it.

I'm particularly interested in Kane/Welch/Kaplan, Marcia Ball, Kim Richey, Joe Ely, The Waybacks, Kathy Mattea, Paul Thorn, James McMurtry and Buddy Miller.

But there are always surprises.

We found Mary Gauthier and Amy Speace at this festival a few years ago and were able to bring them to Club Jaeb, our intimate singer/songwriter space at the Tampa Bay Performing Arts Center. (And Mary's coming back to Tampa as part of this year's Club Jaeb lineup!)

Who knows what this year will bring?

Check back often. As long as the wireless holds out, I'll post early and often. -- MichaelK

Thursday, September 11, 2008

Just a week left on 50% off savings

If you wanted to take advantage of the INSANE 50% off Early Bird Special deal at TBPAC, you best act fast. Our Open House on 9/20 marks the end of this unprecedented ticket special.

Take advantage.

Jobsite opens Blackbird tonight

Jobsite Theater, resident theater company in the Shimberg Playhouse, opens David Harrower's provocative and intense drama Blackbird tonight at 8pm. Blackbird was commissioned for the Edinburgh Fringe Festival and won the 2007 Olivier Award for Best New Play.

From the show website:

Una and Ray had a relationship that resulted in disastrous consequences. Ray moved on with his life, ensuring that they would never set eyes on each other again. Fifteen years later, Una has found Ray.

Never has a more thought-provoking play been written about such a taboo subject. The play explodes with unresolved and possibly irresolvable concerns that make it one of the most daring new plays in recent theater. Blackbird is a brilliant, unnerving and controversial play that taunts us with the limits of our own language and our conceptions of love, abuse and that much-abused neologism "closure".

Blackbird stars Paul J. Potenza and Caitlin Eason under the direction of Karla Hartley, who is also the Producing and Artistic Manager of the Shimberg Playhouse. The scenic design is by United Scenic Artists member Scott Cooper. Karla and Scott previously collaborated together on the Jobsite production of Mamet's Boston Marriage.

The show is also the start of Jobsite's 10th anniversary season. Though Jobsite has performed at TBPAC during each of their previous seasons, they were named resident theater company in 2003 and have performed all of their plays here since.

Here is a preview on the show that ran in today's St. Pete Times.

Blackbird is on stage through Sept. 28. This show is intended for mature audiences only.

*disclosure - I am also the Producing Artistic Director of Jobsite.

Tuesday, September 09, 2008

Friday, September 05, 2008

Spring Awakening news

Our own on-maternity-leave Angela sent me this email today:

Hey… I ran across an iTunes Live from SoHo recording of 6 songs from Spring Awakening. The tracks include some of the original cast members as well as Duncan Sheik singing on three of them (The Guilty Ones, Touch Me and Bitch of Living).

Also, I read in the album notes that the new CW 90210 will feature “Brenda Walsh” directing drama students in a SA production on the show.

Thought it might be blog worthy…

It is, Angela! Thanks for the news! Hope you and the kid are doing well!

New 'Tale' and more on previews

Last weekend, I saw the new musical, "A Tale of Two Cities," in New York previews. This is the production that started at Sarasota's Asolo Theater. James Barbour is incredible -- funny, poignant and sad -- as the lout who does a far better thing than he has ever done before.

Barbour has his own blog, and he recently posted about previews, to add to our previous discussion here:

http://jamesbarbour.blogspot.com/



Wednesday, September 03, 2008

What's the deal with a Preview?

What is a preview?

We get this question a lot. Folks want to know if they'll see a whole performance, or if a preview is really a rehearsal that will stop and start.

A preview is simply one of the first (or in some cases the first) performance for an audience. In most cases, just like in New York, previews are priced less than the later performances, starting with the official "opening night."

So, to answer those common questions:
  • YES! You will absolutely see a full production.
  • NO! A preview is not a rehearsal that will stop and start. Seeing a preview is seamless to an audience member.
For a locally produced show, it is often the first opportunity for the actors and crew members to gauge audience reaction -- when are people going to laugh? When are people going to applaud? Should that light cue come a half second earlier? Should that music cue be one second later? Large touring Broadway shows also may choose to have previews. These shows already have a good gauge of audience reaction and their technical needs since they have probably performed their show hundreds of times, but they are adjusting to a new space. So, they might need to cue a scenic element to fly in a few seconds earlier or later than they did in their last city, because it has to travel a longer (or shorter) distance.

These minor behind-the-scenes adjustments are to make the cast and crew more comfortable in their new surroundings.

Any comments or questions about previews (or anything else)? Let us know and we'll be happy to answer!